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I remembered the terrible words you once quoted to me, "Lucretia's dagger wrote in letters of blood the watchword of woman's charter Liberty!" and they froze me. I felt imperatively how necessary to me was Honorine's consent, and how impossible it was to wring it from her. Could she guess the storms that distracted me when I left as when I came?

"Ah!" he said, rising, and pressing one of those deadly hands in both his own, while tears rose to his eyes, "Ah! since you call me kinsman, I have all a kinsman's privileges. You must have the best advice, the most skilful surgeons. Oh, you will recover; you must not despond." Lucretia's lips moved uneasily. This kindness took her by surprise.

Your husband is the president of a railroad, I believe, which is largely in that state. I should like to ask him whether these statements are true in the main. Whether this Jethro Bass is the kind of man they declare him to be." Mrs. Merrill was in a worse quandary than ever. Her own spirits were none too good, and Miss Lucretia's eye, in its search for truth, seemed to pierce into her very soul.

In coming back towards the table, Varney felt something hard beneath his tread; he stooped, and picked up the ring which has before been described as amongst the ghastly treasures of the casket, and which had rolled on the floor almost to Lucretia's feet, as he had emptied the contents on the hearth.

Lucretia's position, owing to these circumstances, became exceedingly trying. Her tears show that she possessed a heart. She loved, and perhaps for the first time. Alfonso wrote her from Genazzano, urgently imploring her to follow him, and his letters fell into the hands of the Pope, who compelled her to write her husband and ask him to return.

And here, indeed, was the great crisis in Lucretia's life and destiny.

Vivacity, gentleness, and amiability are the qualities which all Lucretia's contemporaries discovered in her. This animated and delicate face, with large blue eyes, and surrounded with golden hair, suggests the ethereal beauty of Shakespeare's Imogene. Letter to her husband, Ferrara, February 2d, in the Archivio Storico Ital. App. ii, 305. Ordine di le pompe e spectaculi di le noze de mad.

Behind Lucretia came the duke, in black velvet, on a dark horse with trappings of the same material. On his right was the Duchess of Urbino clad in a dark velvet gown. Then followed nobles, pages, and other personages of the house of Este, each of whom was accompanied by one of Lucretia's ladies.

The satin petticoat was loose; and over it was thrown the guipure peignoir which reached to the throat, and was continued at the waist by a pink sash. The full sleeves were open, leaving half-covered, half- exposed, Lucretia's arms, firm and white as Carrara marble.

Among the latter are men who are no less famous than her accusers: Tito and Ercole Strozzi, Bembo, Aldo Manuzio, Tebaldeo, Ariosto, all the chroniclers of Ferrara, and the French biographer Bayard. All these bore witness to the uprightness of her life while in Ferrara, but of her career in Rome they knew nothing. Lucretia's advocate, therefore, can offer only negative proofs of her virtue.