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Giovanni, his second son, a youth of seventeen, had just been made cardinal. This honour, of vast importance for the Casa Medici in the future, he owed to his sister Maddalena's marriage to Franceschetto Cybo, son of Innocent VIII. The third of Lorenzo's sons, named Giuliano, was a boy of thirteen. Giulio, the bastard son of the elder Giuliano, was fourteen.
The pope had a son named Francesco, upon whom designing to bestow states and attach friends who might be useful to him after his own death, saw no safer connection in Italy than Lorenzo's, and therefore induced the latter to give him one of his daughters in marriage.
Like the tournament that Giuliano held later in honour of Simonetta Vespucci, which Poliziano has immortalised, and for which Botticelli painted a banner, this pageant of Lorenzo's, for it was rather a pageant than a fight, was sung, too, by Luca Pulci, and was held in Piazza S. Croce.
De Musset, who wrote a considerable drama on his story, painted him as a roué corrupted by society, enfeebled by circumstance, soured by commerce with an uncongenial world, who hides at the bottom of his mixed nature enough of real nobility to make him the leader of a forlorn hope for the liberties of Florence. This is the most favourable construction we can put upon Lorenzo's conduct.
Lorenzo's secret is locked in the bosom of the priest who received his last confession; no person ever learnt what it was. "Soon after this event a well was cleaned in the farmyard of the marquis' villa. It had been disused for many years, and was almost closed up by shrubs and old trees. On digging among the rubbish a human skeleton was found.
If this is with your permission, I am patient, but I cannot believe such a thing." Lorenzo's behavior upon the receipt of this letter will be of interest and will throw much light upon the question involved. Did he burn with indignation at this story of Poliziano's disgraceful conduct and did he dismiss him from his service forthwith as one unworthy of his trust? By no means.
It so happened that Lorenzo's brother Giuliano, who was assassinated later by the Pazzi, loved, very tenderly, a lady named Simonetta, reputed to be the most beautiful woman in all Florence; so great was her fame that she was quite generally spoken of as la bella Simonetta, and the artist Botticelli, who had an eye for a pretty woman, has left us a portrait which vouches for her charms in no uncertain way.
Moreover, his other nephew, Giuliano della Rovere, afterward Pope Julius II, a bitter enemy to Girolamo, and Lorenzo's warm friend, had, during the disgrace of his cousin, gained the Pope's ear and told him some plain but wholesome truths regarding the unpleasant consequences of a permanent rupture with Lorenzo.
Wherein continuing to their no small mutual solace and delight, they neglected to order it with due secrecy, whereby one night as Lisabetta was going to Lorenzo's room, she, all unwitting, was observed by the eldest of the brothers, who, albeit much distressed by what he had learnt, yet, being a young man of discretion, was swayed by considerations more seemly, and, allowing no word to escape him, spent the night in turning the affair over in his mind in divers ways.
Another fact in Lorenzo's favor was that he had the warm support not only of the beautiful Ippolyta Maria, daughter of Cosmo's friend, Francesco Sforza of Milan, and now wife of Alfonso, Duke of Calabria, King Ferrante's heir, as well as of Don Federigo, the monarch's younger son, who, along with Ippolyta, was a friend to the "New Learning," but he also had the whole body of Neapolitan humanists on his side, scarce one of whom but had experienced in some form or another the Medicean bounty.
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