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The church was decreed in 1630 as a thankoffering to the Virgin for staying the plague of that year. Hence the name S. Mary of Salvation. It was designed by Baldassarre Longhena, a Venetian architect who worked during the first half of the seventeenth century and whose masterpiece this is. It is, as it was bound to be in his hands and no doubt was in reality, a busy scene.

The greatest names in Venetian architecture are Polifilo, who wrote the Hypnerotomachia, the two Bons, Rizzo, Sansovino, the Lombardis, Scarpagnino, Leopardi, Palladio, Sammicheli, and Longhena. In the following notes I have tried to mention the place of practically every rio and every calle so that the identification of the buildings may be the more simple.

Did the authorities, I wonder, know that Browning's love of their city led him always to wear on his watch-chain a coin struck by Manin in 1848 commemorating the overthrow of Austrian power in Venice? The Rezzonico was built by Longhena, the architect of the Salute. Carlo Rezzonico, afterwards Pope Clement XIII, lived here. The Emperor Joseph II stayed here. So much for fact.

Great scenes have been witnessed in this building, for the Trons were a famous and powerful Venetian family, supplying more than one Doge, and here in 1775 was entertained the Emperor Joseph II. Then the Rio Tron and then the Palazzo Battagia, with two rich coats of arms in relief, which is also by Longhena, but I hope that it was not he who placed the columns on the roof.

We wave to it from the Salute steps, which we must decidedly leave if we wish to get on, a grateful hand across the water, and turn into the big white church of Longhena an empty shaft beneath a perfunctory dome where an American family and a German party, huddled in a corner upon a pair of benches, are gazing, with a conscientiousness worthy of a better cause, at nothing in particular.

Next is the pretty Barozzi Wedmann Palace, with its pointed windows, said to be designed by Longhena, who built the great Salute church opposite, and then the Hotel Alexandra, once the Palazzo Michiel. For the rest, I may say that the Britannia was the Palazzo Tiepolo; the Grand Hotel de l'Europe was yet another Giustiniani palace; while the Grand Canal Hotel was the Vallaresso.