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The sweetness of tone, its melodiousness, its legatos, octaves, trills and harmonics all bear the mark of the individual who uses his strings like his vocal chords. When an artist is working over his harmonics, he must not be impatient and force purity, pitch, or the right intonation.
Caesar thus records his admiration of the Nervian character: "Quorum de natura moribusque Caesar cum quaereret sic reperiebat, nullum aditum esse ad eos mercatoribus; nihil pati vini reliquarumque rerum ad luxuriam pertinentium inferri, quod iis rebus relanguescere animos eorum et remitti virtutem existimarent: esse homines feros magnaeque virtutis; increpitare atque incusare reliquos Belgas qui se populo Romano dedidissent patriamque virtutem projecissent; confirmare sese neque legatos missuros neque ullam conditionem pacis accepturos."
I do not intend to minimize the value of great teachers who prove to be important factors in the life of a musician; but think of the vast army of pupils that a master teacher brings forth, and listen to the infinite variety of their spiccatos, octaves, legatos, and trills!
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