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From this instant Adrienne Lecouvreur never loved another man and never even looked at any other man with the slightest interest. For nine long years the two were bound together, though there were strange events to ruffle the surface of their love. Maurice de Saxe had been sired by a king.

The general view she takes of Rachel is, that she is not a great artist in the true sense of the word. She is a finished actress, but not an artist fine enough to conceal her art. The last scene of "Adrienne Lecouvreur" seems to Mrs.

He was furiously jealous of my master with Mademoiselle Lecouvreur. I thanked Mademoiselle Lecouvreur for her kind greeting; her poor hands trembled so when she took the note my master had sent that she dropped it. Monsieur Voltaire handed it to her, and saw plainly the awkward writing in it for I make no pretense that Count Saxe could have earned his living as a writing master.

I entered the large saloon in the wake of Count Saxe, made my devoirs to Mademoiselle Lecouvreur, and then retired against the wall, as the unimportant do.

The paint on her face made her look ghastly at close range. By her sat Monsieur Voltaire; and I will say that I felt a softening of the heart toward him at that moment which I had never known before. Those fiery eyes of his were full of tenderness and soft pity; he had left his fine friends for Mademoiselle Lecouvreur, and sat by her, fanning her.

In history there is one woman who stands out conspicuously as a type of her melancholy sisterhood, one whose life was full of disappointment even when she was most successful, and of indignity even when she was most sought after and admired. This woman was Adrienne Lecouvreur, famous in the annals of the stage, and still more famous in the annals of unrequited or, at any rate, unhappy love.

It is needless to say that a girl like Adrienne Lecouvreur flung herself with all the intensity of her nature into every role she played. This was the greatest secret of her success; for, with her, nature rose superior to art. On the other hand, it fixed her dramatic limitations, for it barred her out of comedy.

The house was crowded, and the seats, which had been sold to the highest bidders and then sold by them again, had fetched exorbitant prices. I was awaited with impatience and curiosity, but not with any sympathy. There were no young girls present, as the piece was too immoral. Poor Adrienne Lecouvreur!

There was laughter at that, but greater laughter still when Monsieur Voltaire proceeded to inform the crowd that Mademoiselle Lecouvreur had taught Count Saxe all he knew, except war, of which no one could teach him anything, and spelling, which he never could learn.

To the dramatists who sought to supply her with new parts, Rachel was the occasion of much chagrin and perplexity. After accepting Scribe's "Adrienne Lecouvreur" she rejected it absolutely only to resume it eagerly, however, when she learned that the leading character was to be undertaken by Mademoiselle Rose Chéri. His "Chandelier" having met with success, Rachel applied to De Musset for a play.