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In the delirium of his death-bed, he fancied he was at the Favart, conducting a performance of "I Puritani." Mlle. Grisi's first appearance before the London public occurred during the spring of the same year, and her great personal loveliness and magnificent voice as Ninetta, in "La Gazza Ladra," instantly enslaved the English operatic world, a worship which lasted unbroken for many years.

For there are scores of cities where Wagner would be even more popular than he is, were it not for the woful rarity of competent dramatic singers and conductors. There is, therefore, no hope for the Italianissimi, who sigh for their maccaroni arias and their "Ernani" and "Gazza Ladra" soup. Italian opera has ceased to exist in New York, Paris, Berlin, Vienna, and St.

Verdi's "Ernani," "Rigoletto," and "Trovatore," with Donnizetti's "Lucia" or "Favorita" or "Lucrezia," and Auber's "Massaniello," or Rossini's "William Tell" and "Gazza Ladra," were among my special enjoyments. I heard Alboni every time she sang in New York and vicinity also Grisi, the tenor Mario, and the baritone Badiali, the finest in the world. This musical passion follow'd my theatrical one.

Madame de Cintre, leaning back, with her arms folded, looked at Lord Deepmere with a more visibly puzzled face than she usually showed to society. Madame de Bellegarde, on the other hand, wore a fixed smile. The marquis said that among light operas his favorite was the Gazza Ladra.

In "La Donna del Lago," "Lucrezia Borgia," "Maria de Rohan," and "La Gazza Ladra" she was pronounced inimitable by the London critics. Mme. Persiani's part in "Il Barbiere" was assumed without rehearsal and at a moment's notice, and given in a way which satisfied the most exacting judges. It sparkled from the first to the last note with enchanting gayety and humor.

Adieu to Guillaume Kolberg, is the title, and the Trio in D flat is accredited to an air of "Gazza Ladra," with a sentimental Au Revoir inscribed. Kleczynski has revised the Gebethner & Wolff edition. The little cadenza in chromatic double notes on the last page is of a certainty Chopin. But the Polonaise in G flat major, published by Schott, is doubtful.

Luckily I was interrupted by Dall and my father, who came in with a little girl, poor unfortunate! whose father had brought her to show how well she deserved an engagement at Covent Garden. She sat down to the piano at his desire, and panted through the great cavatina in the "Gazza Ladra." Poor little thing!

He is the Rossini of song; he is the greatest singer I ever heard." Lord Byron, in one of his letters to Moore, speaks of the first production at Milan, and praises the music enthusiastically, while condemning the libretto as a degradation of Shakespeare. "La Cenerentola" and "La Gazza Ladra" were written in quick succession for Naples and Milan.

An engagement at Vienna made her the pet of that city, which is fanatical in its musical enthusiasm, and we next find her back again in Italy, singing greatly to the satisfaction of the public in such operas as "Romeo e Giulietta," "Il Pirata," "La Gazza Ladra," and "L'Elisir d'Amore." Mme.

Thenceforward she sang at double prices, "notwithstanding the subscribers' privileges were on most of these occasions suspended, and although 'Otello, 'La Gazza Ladra, and operas of that description were the only ones offered to a public long since tired even of the beauties of Rossini, and proverbial for their love of novelty."