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<b>KLUMPKE, ANNA ELIZABETH.</b> Honorable mention, Paris Salon, 1885; silver medal, Versailles, 1886; grand prize, Julian Academy, 1889; Temple gold medal, Pennsylvania Academy of Fine Arts, 1889; bronze medal, Paris Exposition, 1889. Member of the Copley Society, Boston; of the Society of Baron Taylor, Paris; and of the Paris Astronomical Society. Born in San Francisco.

It proved to be Miss Klumpke, and the acquaintance thus begun, as time went on, disclosed to me a remarkable character, founded on a remarkable experience, and it was no surprise to me that the great and good Rosa Bonheur found in Anna Klumpke a sympathetic and reliable friend and companion for her last days.

The lower-arm type of paralysis, associated with the name of Klumpke, is usually due to over-stretching of the plexus, and especially affects the anterior branch of the first dorsal nerve. In typical cases all the intrinsic muscles of the hand are affected, and the hand assumes the claw shape.

In writing me of her own life-work and that of her family, she says, what we may well believe: "Longfellow's thought, 'Your purpose in life must be to accomplish well your task, has been our motto from childhood." Anna Klumpke, being the eldest of the four daughters of her mother, had a double duty: her own studies and profession and the loving aid and care of her sisters.

She says: "This biography consists of reminiscences of Rosa Bonheur's life, her impressions of Nature, God, and Art, with perhaps a short sketch of how I became acquainted with the illustrious woman whose precious maternal tenderness will remain forever the most glorious event of my life." At the Salon des Artistes Français, 1903, Miss Klumpke exhibited a picture called "Maternal Affection."

The experience, however, was not lost on Theodore he has never suggested a boy since, and a faithful daughter of Eve reigns in his stead. During the summer I was in the hands of two artists, Miss Anna Klumpke, who painted my portrait, and Paul Bartlett, who molded my head in clay. To shorten the operation, sometimes I sat for both at the same time.

Meantime Anna Klumpke had visited Boston and other cities of her native land, and made a success, not only as an artist, but as a woman, whose intelligence, cheerfulness, and broad interests in life made her a delightful companion. Sailing from Antwerp one autumn, I was told by a friend that a lady on board had a letter of introduction to me from Madame Bouguereau.

The history of this friendship and its results are too well known to require more than a passing mention. Miss Klumpke is now established in Paris, and writes me that, in addition to her painting, she is writing of Rosa Bonheur.

Nancy Foster, at the Chicago University; "Maternal Instruction," in the collection of Mr. Randolph Jefferson Coolidge, Boston; many portraits, among which are those of Madame Klumpke, Rosa Bonheur, Mrs. Thorp, Mrs. Sargent, Count Kergaradec, etc.