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And Howes, the continuator of Stow's Chronicles of another, that "he had a wondrous, plentiful, pleasant, Extemporal wit." Praiseworthy reference is also made of Tarleton in "Kinde-Hart's Dream," 4to., published in 1592. In 1611 a book was published entitled "Tarleton's Jeasts." Tarleton was so celebrated in his time that his portrait was hung out as a sign for alehouses.
In Chettle's 'Kind-Harte's Dreame' the proprietor of a house of evil fame concludes his speech with reproaches against actors on account of their spoiling his trade; 'for no sooner have we a tricke of deceipt, but they make it common, singing jigs, and making jeasts of us, that everie boy can point out our houses as they passe by. Again, in Ben Jonson's 'Poetaster, we read that 'your courtier cannot kiss his mistress's slippers in quiet for them; nor your white innocent gallant pawn his revelling suit to make his punk a supper; or that 'an honest, decayed commander cannot skelder, cheat, nor be seen in a bawdy house, but he shall be straight in one of their wormwood comedies.
Oldys, in his M.S. notes, mentions that "There is an alehouse sign of a tabor and pipe man, with the name of Tarleton under it, in the borough of Southwark, and it was taken from the print before the old 4to. book of 'Tarleton's Jeasts; and Lord Oxford had a portrait of him with his tabor and pipe, which was probably taken from the pamphlet called 'Tarleton's Jeasts, on the title page of which there is a wooden plate of Tarleton, at full length in his Clown's dress, playing on his pipe with one hand, and beating his drum with the other."
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