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The broad, masterly technique of the Cobham Hall picture in no way accords, however, with Vasari's description, and marks a degree of accomplishment such as no boy of eighteen, not even Titian, could have attained. And then Vasari's "giubbone di raso inargentato" is not the superbly luminous steel-grey sleeve of this Ariosto, but surely a vest of satin embroidered with silver.
Claude Phillips, in his Earlier Work of Titian, p. 58, note, objects that Vasari's "giubone di raso inargentato" is not the superbly luminous steel-grey sleeve of this "Ariosto," but surely a vest of satin embroidered with silver. I think we need not examine Vasari's casual descriptions quite so closely; "a doublet of silvered satin wherein the stitches could be counted" is fairly accurate.
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