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It can hardly be presumed that when the saga-man in this connection calls the king's sword "Gullinhjalti," he has for the moment forgotten that the name of Hrolf's famous sword is Skofnung. Nor is it in conflict with the description of Skofnung that Gullinhjalti is given a supernatural quality. Skofnung also has a supernatural quality.

There is nothing unusual in the appearance of Odin as a one-eyed old man, for it is a common characteristic of saga literature. But though Hrolf's expedition to Sweden is mentioned in Snorri's Edda, where the passage concerned is based on the old Skjọldumgasaga, the oldest authority in regard to the matter, but unfortunately now lost, no mention of Odin is made in this connection.

The fact, therefore, that, both in regard to the giant-sword in Beowulf and King Hrolf's sword in the saga, the hilt is said to be golden proves nothing as to the identity of these two swords.

The lack of more details, the lack of motivation for going on a hunt in the midst of, or immediately following, the stirring events just mentioned, and utter lack of connection with what precedes, show that Saxo, who, with this story, begins to set the stage, so to speak, for the last grand act of King Hrolf's life, concluded to insert it at this juncture as the most appropriate and effective place he had for it, and then, to add a touch of realism and supply a retreat where the bear would be unobserved by the men, and unwarned of their approach, until they were close upon it, said that Bjarki met it in a thicket.

Silent, with closed lips, as I fancy them, unconscious that they were specially brave; defying the wild ocean with its monsters, and all men and things; progenitors of our own Blakes and Nelsons! No Homer sang these Norse Sea-kings; but Agamemnon's was a small audacity, and of small fruit in the world, to some of them; to Hrolf's of Normandy, for instance!

Meantime Olvir Rosta, Frakark's grandson, who had been stunned and nearly drowned in the sea fight at Tankerness, in which Sweyn's and Gunni's father, Olaf Hrolf's son, had aided Jarl Paul, burned Olaf alive in his home at Duncansby, Asleif, Olaf's wife, escaping only because she was absent at the time.

Sarrazin thinks that perhaps Beowulf married Freawaru, Hrothgar's daughter, as, similarly, Bjarki, according to the Hrólfssaga, married Drifa, the daughter of Hrothgar's nephew, Hrolf Kraki; that the troll which supports Hrolf Kraki's enemies in Hrolf's last battle is a reminiscence of the dragon in Beowulf; and that, owing to the change of taste and other causes that occurred in the course of time, the Beowulf story developed into the form in which it is found in the Bjarki story in the Hrólfssaga.