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The difference between the -histrio- and the Atellan player was just about as great as is at present the difference between a professional actor and a man who goes to a masked ball; between the dramatic piece, which down to Terence's time had no masks, and the Atellan, which was essentially based on the character-mask, there subsisted an original distinction in no way to be effaced.

The difference between the -histrio- and the Atellan player was just about as great as is at present the difference between a professional actor and a man who goes to a masked ball; between the dramatic piece, which down to Terence's time had no masks, and the Atellan, which was essentially based on the character-mask, there subsisted an original distinction in no way to be effaced.

The apparent attacks on Shakespeare are just such as Ben, if angry and envious, would direct against him; while we know of no other poet-player of the period to whom they could apply. For example, in The Poetaster, Histrio, the actor, is advised to ingratiate himself with Pantalabus, "gent'man parcel-poet, his father was a man of worship, I tell thee."

William Farmer, Baron Leimpster, flung at Gwynplaine the insult cast by Ryc Quiney at Shakespeare, "Histrio, mima!" Lord Vaughan, a sententious man, twenty-ninth on the barons' bench, exclaimed, "We must be back in the days when animals had the gift of speech. In the midst of human tongues the jaw of a beast has spoken." "Listen to Balaam's ass," added Lord Yarmouth.

The subject of the action against Roscius is not easy to state in a few words. Yet Roscius is sometimes called a histrio. Roscius was a perfect master of his art, according to Cicero; and his name became proverbial among the Romans to express a perfect master of any art. Roscius wrote a work in which he compared oratory and acting. Appian merely speaks of his dying of fever.

In the very minute description of ancient Egypt given by Herodotus and other writers, I do not recollect observing the smallest trace of it. The Etruscans, on the contrary, who in many respects resembled the Egyptians, had theatrical representations; and what is singular enough, the Etruscan name for an actor histrio, is preserved in living languages even to the present day.

In answer to a question from Hegius, Agricola goes on to distinguish the words mimus, histrio, persona, scurra, nebulo; with quotations from Juvenal and Gellius. 'Leccator', he says, 'is a German word; like several others that we have turned into bad Latin, reisa, burgimagister, scultetus, or like the French passagium for a military expedition, guerra for war, treuga for truce.

For a while indeed, he had not the courage to read them even to a small circle of auditors, but it was not long before he recited his satires to crowded audiences, and with entire success; and this he did twice or thrice, inserting new lines among those which he had originally composed. Quod non dant proceres, dabit histrio, tu Camerinos, Et Bareas, tu nobilium magna atria curas.

As when, some notable performer not having yet arrived behind the scenes, or having to change his dress, or not having yet quite recovered an unlucky extra tumbler of exciting fluids, and the green curtain has therefore unduly delayed its ascent, you perceive that the thorough-bass in the orchestra charitably devotes himself to a prelude of astonishing prolixity, calling in "Lodoiska" or "Der Freischutz" to beguile the time, and allow the procrastinating histrio leisure sufficient to draw on his flesh-colored pantaloons and give himself the proper complexion for a Coriolanus or Macbeth, even so had Sir Sedley made that long speech requiring no rejoinder, till he saw the time had arrived when he could artfully close, with the flourish of a final interrogative, in order to give poor Pisistratus Caxton all preparation to compose himself and step forward.

As when, some notable performer not having yet arrived behind the scenes, or having to change his dress, or not having yet quite recovered an unlucky extra tumbler of exciting fluids, and the green curtain has therefore unduly delayed its ascent, you perceive that the thorough-bass in the orchestra charitably devotes himself to a prelude of astonishing prolixity, calling in "Lodoiska" or "Der Freischutz" to beguile the time, and allow the procrastinating histrio leisure sufficient to draw on his flesh-colored pantaloons and give himself the proper complexion for a Coriolanus or Macbeth, even so had Sir Sedley made that long speech requiring no rejoinder, till he saw the time had arrived when he could artfully close, with the flourish of a final interrogative, in order to give poor Pisistratus Caxton all preparation to compose himself and step forward.