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During this attack his life was despaired of for several days. M. Gutman, his most distinguished pupil, and during the last years of his life, his most intimate friend, lavished upon him every proof of tender attachment. His cares, his attentions, were the most agreeable to him.

Again she sang to him, and the dying musician passed into a trance, from which he never fully aroused till he expired, two days afterward, in the arms of his pupil, M. Gutman.

Being answered, he bent his head to kiss the hand of M. Gutman, who still supported it while giving this last tender proof of love and gratitude, the soul of the artist left its fragile clay. He died as he had lived in loving. When the doors of the parlor were opened, his friends threw themselves around the loved corpse, not able to suppress the gush of tears.

In what distant Bavarian village were the wife and children now weeping their lost husband and father? Was he to die, nameless, unknown, in that foreign country, and leave his dear ones forever ignorant of his fate? "To-day," Henriette told Jean one evening, "Gutman kissed his hand to me.

Mendelssohn considered him a "really perfect virtuoso, whose piano playing was both original and masterly," but he was not sure whether his compositions were right or wrong. Chopin also stopped in Heidelberg on the way to Paris, visiting the father of his pupil Adolph Gutman.

It was not even certain that his name was Gutman; he was called so because the only sound he succeeded in articulating was a word of two syllables that resembled that more than it did anything else. As regarded all other particulars concerning him everyone was in the dark; it was generally believed, however, that he was married and had children.

With the timidity natural to invalids, and with the tender delicacy peculiar to himself, he once asked the Princess Czartoryska, who visited him every day, often fearing that on the morrow he would no longer be among the living: "if Gutman was not very much fatigued?

Chopin had gone to the piano and was absorbed in an improvisation, when lifting his eyes from the keys he encountered the fiery glances of a lady standing near. Perhaps the truer account of their first meeting is that given by Chopin's pupil Gutman. Mme. Sand, who had the faculty of subjugating every man of genius she came in contact with, asked Liszt repeatedly to introduce her.

Hardly had he recovered the power of speech, than he requested him to recite with him the prayers and litanies for the dying. He was able to accompany the Abbe in an audible and intelligible voice. From this moment until his death, he held his head constantly supported upon the shoulder of M. Gutman, who, during the whole course of this sickness, had devoted his days and nights to him.

"Yes, he thinks he may be able to save his life. But the poor man suffers dreadfully." Although they both felt the deepest compassion for him, they never spoke of Gutman but a smile of gentle amusement came to their lips.