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Chrysantheme tends the flowers in our bronze vases, dresses herself with studied care, proud of her socks with the divided big toe, and strums all day on a kind of long-necked guitar, producing sweet and plaintive sounds.
Amongst other figures was one playing on a guitar, a very common symbol in the vestibules of Sikkim temples: I also saw an angel playing on the flute, and a snake-king offering fruit to a figure in the water, who was grasping a serpent. Amongst the figures I was struck by that of an Englishman, whom, to my amusement, and the limner's great delight, I recognised as myself.
She crossed her arms and tapped her elbows with her pointed fingers. "Yes," she said, "it is true." She raised her eyes to his and regarded him steadily. They looked like green pools frozen in a marble wall. The harp, the flute, the guitar, combined again, and once more he swung her from a furious circle. But he was safe; General Castro had joined it.
All the walls in this room were hung with some thin black cloth, and it looked like the inside of a hearse. There was a stand in one corner, and a large extension table in the middle of the room, with chairs placed about it. In the corner across from the stand was a spiritualist medium's cabinet; and hanging on the walls were a guitar, a banjo and a fiddle.
What a ten-million times miserable thing it is, when parents, making their little girls hug a great guitar, listen with pleasure to the poor little things playing on instruments big enough for them to climb upon, and squeaking out songs in their shrill treble voices! Now I must beg you to listen to me carefully.
Both were exquisite musicians, playing the harp and guitar with equal cleverness. Many a pure Spanish melody was poured into the delighted ears of my friend and myself. The thoughts that arose in our minds were doubtless of a similar kind; and yet how strange that our hearts should have been warmed to love by beings so different in character!
Eulogia lay as quiet as a mouse in the daytime, not daring to applaud, hoping fatigue had sent her mother to sleep. Her lover tuned his guitar and began another song, but she did not hear it; she was listening to footfalls in the garret above. With a presentiment of what was about to happen she sprang out of bed with a warning cry; but she was too late.
On a corner of Rector street, down near the river, a loud drum was beating. A guitar and a tambourine competed shrilly with the drum's dull booming. Slowly a careless crowd gathered round the Salvation Army workers.
He rode like Nimrod, danced like Terpsichore, drove like Jehu, shot like William Tell, and sang like Sims Reeves. It was in the latter accomplishment, however, that he chiefly excelled; he would stand up at the end of a crowded drawing-room, and, playing a delicate accompaniment on his guitar, would vocalize one of the passionate love-songs of his native land.
Hence the fame of sculptors, painters, and musicians, although the intrinsic powers of the great masters of these arts may yield in no degree to that of those who have employed language as the hieroglyphic of their thoughts, has never equalled that of poets in the restricted sense of the term; as two performers of equal skill will produce unequal effects from a guitar and a harp.
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