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We know of only one Norman who plainly told his master, the King, that he had come with him to England to do his duty as a faithful servant, and that property taken by force from other men had no charms for him. His name was GUILBERT. We should not forget his name, for it is good to remember and to honour honest men.
"Cheer up," said Goodwin. "You are a pretty poor fox to be envying a gander. Maybe the enchanting Guilbert will take a fancy to you and your tintypes after we impoverish her royal escort." "She could do worse," reflected Keogh; "but she won't. 'Tis not a tintype gallery, but the gallery of the gods that she's fitted to adorn. She's a very wicked lady, and the president man is in luck.
Renelde gave her promise, but in the evening Guilbert arrived at the cottage. Seeing that the cloth was no farther advanced than it was the evening before, he inquired the reason. Renelde confessed that the Countess had prayed her not to let her husband die. 'Will he consent to our marriage? 'No. 'Let him die then. 'But what will the Countess say?
It is a question whether certain singers of our day have not solved these problems with greater success than that for which they are given credit.... Yvette Guilbert has announced publicly that she never had a teacher, that she would not trust her voice to a teacher.
Old Guilbert, who came in answer to my knock at the door of the chateau, looked askance when he beheld me, and when I bade him carry my compliments to the Chevalier, with the message that I desired immediate speech of him on a matter of the gravest moment, he shook his grey head and protested that it would be futile to obey me.
How monstrous it was that such vile wickedness should be delivered against this woman before him, in whom beauty, goodness, power were commingled! She was the real Princess Philip d'Avranche, and this child of hers now he understood why she allowed Guilbert to speak no patois.
Already the "ten or twelve subsidiary actors" phrase is becoming out of date. We have seen play after play at the Court with parts of different degrees of importance, but hardly any "subsidiary" characters in the sense in which Yvette Guilbert uses the term. There are moments when the letter of Guilbert seems a joke or a hoax.
It was in 1730 that the Abbe Guilbert published his Historical Description of the Palace, Town, and Forest of Fontainebleau. And very droll it is to see him, as he tries to set forth his admiration in terms of what was then permissible.
If, by chance, it had been proposed by the sieur to adjourn to the small sitting-room which looked out upon the Place du Vier Prison, a gloom would instantly have settled upon them both; though in this little front room there was an ancient arm-chair, over which hung the sword that the Comte Guilbert Mauprat de Chambery had used at Fontenoy against the English.
"Very well, Guilbert," it said. "We will await this farrier's return." "Let me go, Monsieur!" cried Jeanneton. "Some one comes." Now for myself I cared little who might come, but methought that it was likely to do poor Jeanneton's fair name no benefit, if the arm of Gaston de Luynes were seen about her waist.
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