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It was all very interesting to watch, it was like turning over the leaves of a book written in an unknown tongue and guessing what the pictures meant, because these people were intent upon their private avocations, in which you had no part, and you would never see them any more. Then destiny took a hand in the affair and Guido came.

The carpet of the room had been taken up for the summer, and the floor was of dark red tiles, waxed and immaculate. In a modest way, and though he was comparatively a poor man, Guido had always managed to have what he wanted in the way of surroundings. He looked at the address on the note, prolonging his anticipation as much as possible.

Her hair is white as snow, and the lines of her face are wasted with sorrow and physical decay. Yet there is sweetness and softness and light in her worn features aye, and more almost than a human being's share of that exquisite spirituality which is the reward only of those who have triumphed over pain and suffering and sin. Guido would have given the world for such a face.

She was born in Bologna about 1640, and, like Artemisia Gentileschi, was the daughter of a painter of the school of Guido Reni, whose follower Elisabetta also became. From the study of her master she seems to have acquired the power to perceive and reproduce the greatest possible beauty with which her subjects could be invested.

The Florentines put forward Cimabue as the first artist, but as the Sienese produce a picture, by Guido da Siena, dated before the birth of Cimabue, the victory is decidedly with them. As to pictorial merit, to my taste there is none in either of these old painters, nor in any of their successors for a long time afterwards.

Since then, she had not met Lamberti, for after the engagement was made known she went out less, and Guido spent much more of his time at the Palazzo Massimo. Many people were leaving Rome, too, and those who remained were no longer inclined to congregate together, but stayed at home in the evening and only went out in the daytime when it was cool.

Messer Guido, before his melancholy end, over which, as I believe, the Muses still weep, knowing how great a concern I had in the doings of Messer Dante, told me with great clarity the essence of what Dante had told to him, and showed me the poem, not only allowing me to read it, but granting me permission, if it so pleased me, to take a copy.

For the rest there are some sickly Guido Renis and Carlo Dolcis and a sentimental Guercino. But the most popular works on Sundays are the two Gerard Honthorsts, and not without reason, for they are dramatic and bold and vivid, and there is a Baby in each that goes straight to the maternal heart.

The Academia delle Scienze, in the Piazza Carignano, should not be missed, as it contains a very interesting Museum of natural history; Egyptian, Grecian, Etruscan, and Roman antiquities; and a fine gallery of paintings, including some of the best works of Vandyke, Raphael, Paul Veronese, Guido, Titian, Rembrandt, Guercino, Carlo Dolci, and other of the great masters.

But you go on teaching even the little children to follow the same silly objects, hum, hum, hum, all the day, and they will grow up to hate each other, and to try which can get the most round things you have one in your pocket." "Sixpence," said Guido. "It's quite a new one." "And other things quite as silly," the Wheat continued.