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It is quite true that, strictly speaking, the forms with Th-d, are Low- German, and those with D-t, High-German, but before we trust ourselves to this division for historical purposes, we must remember three facts: that Proper Names frequently defy Grimm's Law; that in High-German MSS. much depends on the locality in which they are written; that High-German is not in the strict sense of the word a corruption of Low- German, and, at all events, not, as Grimm supposed, chronologically posterior to Low-German, but that the two are parallel dialects, like Doric and Aeolic, the Low-German being represented by the earliest literary documents, Gothic and Saxon, the High-German asserting its literary presence later, not much before the eighth century, but afterwards maintaining its literary and political supremacy from the time of Charlemagne to the present day.

A boy of 12 says of "Grimm's fairy tales," "They are interesting to read, and I learn there is no one to give you wings and sandals to fly you have to make your own." Another likes "John Halifax" "because it tells how a boy who had pluck obtained what he wanted and made his mark in the world."

"What a thief I should make," was her own opinion of herself. "I believe I could do as well as Grimm's 'Master Thief, who stole the parson and clerk." She took up the bottle and shook a little of the contents into her hand; she had not the least idea how it was set off, whether a blow, a fall, or heat would reveal its dangerous characteristics.

The dinner was a simple one, but to Randy the room with its fine furnishings, the rare flowers in the centre of the table, the noiseless tread of the servant with his silver salver, the soft light from the great chandelier, all seemed a part of the fairyland of which she had so often read in the old volume of "Grimm's Tales" at home.

The idea of a magic fiddle and a wonderworking fiddler was strongly rooted in the popular imagination of many peoples, through many ages. Typical illustrations are the Wonderful Musician of Grimm's Fairy Tales, whose fiddling attracted man and beast, and the lad of Norse folk-lore who won a fiddle that could make people dance to any tune he chose.

For many years of my life that knowledge was my steady desire; but I had no means at hand of satisfying it. Reading? Well, I did read in a fashion. I read, for example, Grimm's Teutonic Mythology, a stout and exceedingly dull work in three volumes of a most unsatisfying kind.

Señor Rodriguez did not quite know whether to be annoyed at Mr. Grimm's persistence, or to admire the tenacity with which he held to this one point. "You must understand, Señor Grimm, that many state documents are kept in the safe," he said finally, "therefore it is not advisable that any one should know the combination.

He began to read Byron for himself, with what result we shall see before long; but the most important new departure was the attempt to copy Cruikshank's etchings to Grimm's fairy tales, his real beginning at art. From this practice he learnt the value of the pure, clean line that expresses form.

In some of the groups the children have not cared for Youth's Companion. Other groups, however, are devoted to the Youth's Companion. St. Nicholas is a prime favorite with all. We do not buy cheap editions. Grimm's "Fairy tales" is selected in the tasteful Macmillan edition with illustrations by Walter Crane.

Every man in the room was studying Mr. Grimm's impassive face. "Personal equation," mused the president. "Just how, Mr. Grimm, does the personal equation enter into the affair?" The young man's lips closed tightly, and then: "There are some people, Mr. President, whom we meet frankly as enemies, and we deal with them accordingly; and there are others who oppose us and yet are not enemies.