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Through the filtered gloom of the demi-light Orde surveyed with interest the excellent reproductions of the Old World masterpieces framed on the walls "Madonnas" by Raphael, Murillo, and Perugino, the "Mona Lisa," and Botticelli's "Spring" the three oil portraits occupying the large spaces; the spindle-legged chairs and tables, the tea service in the corner, the tall bronze lamp by the piano, the neat little grate-hearth, with its mantel of marble; the ormolu clock, all the decorous and decorated gentility which marked the irreproachable correctness of whoever had furnished the apartment.
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