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Giorgione. Paul Veronese. Titian. Rubens. Correggio. Orcagna. Benozzo Gozzoli. Giotto. Raffaelle. Perugino. I desire, however, the reader to observe that I said, above, professed landscape painters, among whom, perhaps, I should hardly have put Gainsborough.

It is not, however, the splendour of the palace, fine as it is, or the memory of Cosimo even, that brings us to that beautiful house to-day, but the work of Donatello in the courtyard, those marble medallions copied from eight antique gems, and the little chapel on the second floor, almost an afterthought you might think, since in a place full of splendidly proportioned rooms, it is so cramped and cornered under the staircase, where Benozzo Gozzoli has painted in fresco quite round the walls, the Journey of the Three Kings, in which Cosimo himself, Piero his son, and Lorenzo his grandson, then a golden-haired youth, ride among the rest, in a procession that never finds the manger at Bethlehem, is indeed not concerned with it, but is altogether occupied with its own light-hearted splendour, and the beauty of the fair morning among the Tuscan hills.

Yet Cosimo gave orders to Donatello for his "David" and his "Judith," employed Michellozzo and Brunelleschi to build him convents and churches, and filled the library of S. Marco, where Fra Angelico was painting, with a priceless collection of MSS. His own private chapel was decorated by Benozza Gozzoli. Fra Lippo Lippi and Michael Angelo Buonarroti were the house-friends of Lorenzo de' Medici.

The great humanists of his time, Leonardo Bruni, Carlo Marsuppini, Poggio and Niccolò de' Niccoli were his companions, and in his palace in Via Larga, and in his villas at Careggi and Poggio a Caiano, he gathered the most precious treasures, rare manuscripts, and books, not a few antique marbles and jewels, coins and medals and statues, while he filled the courts and rooms, built and decorated by the greatest artists of his time, with the statues of Donatello, the pictures of Paolo Uccello, Andrea del Castagno, Fra Filippo Lippo, and Benozzo Gozzoli.

From which two principles it necessarily results that he will begin at the upper left, and end at the lower right-hand corner. I have skipped lightly, I admit, over a considerable interval between primitive man and Benozzo Gozzoli.

We are clearly in the presence of a painter for whom the attractions of nature were subordinated to the fascinations of science a man the very opposite, for instance, to Benozzo Gozzoli. If Mantegna had passed away in early manhood, like Masaccio, his fame would have been that of a cold and calculating genius labouring after an ideal unrealised except in its dry formal elements.

Certain it is that Angelico was staying in Rome in the first half of 1447; and he painted in the Vatican the Cappella del Sacramento, which was afterwards demolished by Paul III. In June 1447 he proceeded to Orvieto, to paint in the Cappella Nuova of the cathedral, with the co-operation of his pupil Benozzo Gozzoli.

We have a pretty Gozzoli in our National Gallery No. 283 but it gives no indication of the ripeness and richness and incident of this work; while the famous Biblical series in the Campo Santo of Pisa has so largely perished as to be scarcely evidence to his colour. The first impression made by the Medici frescoes is their sumptuousness.

They thought of the dead reposing in the holy earth brought from Mount Calvary; looked at the frescoes painted so many hundreds of years ago by Benozzo Gozzoli, pupil of Fra Angelico; at the queer interesting Triumph of Death and Last Judgment, so long attributed to Orcagna and now the subject of much dispute among critics; and then, wearied with seeing so much, they went into the middle of the enclosure and sat on the flagstones in the warm sun amid the lizards and early buttercups.

The main object of a visit to Montefalco is to inspect its many excellent frescoes; painted histories of S. Francis and S. Jerome, by Benozzo Gozzoli; saints, angels, and Scripture episodes by the gentle Tiberio d'Assisi. Full justice had been done to these, when a little boy, seeing us lingering outside the church of S. Chiara, asked whether we should not like to view the body of the saint.