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The Laus, which had just appeared at Gourmont's, was reprinted at Strassburg as early as 1511, with a courteous letter by Jacob Wimpfeling to Erasmus, but evidently without his being consulted in the matter. By that time he was back in England, had been laid up in London with a bad attack of the sweating sickness, and thence had gone to Queens' College, Cambridge, where he had resided before.
Fundamental, creative criticism like Sainte-Beuve's, Matthew Arnold's, Walter Pater's, like Dryden's, Brunetiere's, De Gourmont's, or Croce's will presumably come. The conditions, both of publication and of audience, are ripe for it now in the United States. But there is a good deal of spade work in the study of literature to be done first, and still more education of the reading American mind.
The "inspissated gloom" of his work, its tenebrous gulfs and musical vertigoes are true indices of his morbid pathology. He was of a pious nature, as was Dostoïevsky; but he might have subscribed to the truth of Remy de Gourmont's epigram: "Religion est l'hôpital de l'amour." Love, however, does not play a major rôle in his life or art, yet it permeates both, in a sultry, sensual manner.