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Sterne’s period of literary activity falls in the sixties, the very heyday of British supremacy in Germany. The fame of Richardson was hardly dimmed, though Musäus ridiculed his extravagances in “Grandison der Zweite” at the beginning of the decade. In 1762-66 Wieland’s Shakespeare translation appeared, and his original works of the period, “Agathon,” begun in 1761, and “Don Silvio von Rosalva,” published in 1764, betray the influence of both Richardson and Fielding. Ebert (1760 ) revised and republished his translation of Young’s “Night Thoughts,” which had attained popularity in the previous decade. Goldsmith’s “Vicar of Wakefield” aroused admiration and enthusiasm. To this time too belongs Ossian’s mighty voice. As early as 1762 the first bardic translations appeared, and Denis’s work came out in 1768. Percy’s “Reliques,” published in England in 1765, were extensively read and cited, a
It is called the “Herberge,” and answers, in many respects, to our “House of Call.” This is the weary traveller’s place of rest—he can claim a shelter here; indeed, in most cases, he dares sleep nowhere else. Here also the guild holds its quarterly meetings. By way of illustration, let us take the Goldsmith’s Herberge in Hamburg; the “Stadt Bremen” is the sign of the house.
He had also that unpoetic thrifty style of looking at the whole question, which led him to consider his son as making a total wreck of the many years’ study which he had already gone through to fit him for the goldsmith’s trade; and he was, consequently, much displeased.
which they got me to repeat in their drawing-room, and which, though I say it that should not, evinced for a boy a fair acquaintance with ‘Mangnall’s Questions’ and Pinnock’s abridgment of Goldsmith’s ‘History of Rome.’ Happily, at that time, Niebuhr was unknown, and sceptical criticism had not begun its deadly work. We had not to go far for truth then.
The first specimen is of the simplest design, with no attempt at ornament, except the double cross roughly incised in the bronze. The middle pin, on the contrary, is one of the finest kind; the head is ornamented with jewellery and goldsmith’s work, the stem is of bronze. The pin beside it is of silver gilt, the centre decorated with a raised garnet.
His countenance thus triply hooped, as it were, with tattooing, always reminded me of those unhappy wretches whom I have sometimes observed gazing out sentimentally from behind the grated bars of a prison window; whilst the entire body of my savage valet, covered all over with representations of birds and fishes, and a variety of most unaccountable-looking creatures, suggested to me the idea of a pictorial museum of natural history, or an illustrated copy of Goldsmith’s Animated Nature.
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