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They held the pick of Florence, those scowling shrouds Giuliano and Lorenzo, Pazzi, Tornabuoni, Soderini or Pulci; and behind, old Cattaneo, battered with storms, walked heavily, swinging his long arms and looking into the day's face as if he would try another fall with Death yet.
In one of these suburbs, then, without the Porta a Faenza, was born Giuliano Bugiardini, who lived there, even as his ancestors had done, until the year 1529, when all the suburbs were pulled down.
They find the Capitol en fête, and the piece ends with a song in praise of Giuliano and Leo X . Of the same year is the 'Egloga pastorale di Justitia, the earliest extant specimen of the rustic dramatic eclogue proper. It is a satirical piece concerning a countryman, who fails to obtain justice because he is poor.
Machiavelli, it is true, had some little doubts about the particular Prince he wanted, whether it was Caesar Borgia of Giuliano or Lorenzo, but a Prince it had to be. Before I saw clearly the differences of our own time I searched my mind for the modern equivalent of a Prince. At various times I redrafted a parallel dedication to the Prince of Wales, to the Emperor William, to Mr.
Piero de’ Medici was so proud and insolent that neither the generosity of his brother, Giovanni the Cardinal, nor the courtesy and kindness of Giuliano, were so powerful to keep him in Florence as those vices were to hunt him out. Michael Angelo exhorted Cardiere to inform Piero of the vision and carry out the will of Lorenzo, but he, fearing Piero’s nature, kept all to himself.
Meanwhile Bramante, having brought Raffaello da Urbino to Rome, set him to work at painting the Papal apartments; whereupon Giuliano, perceiving that the Pope took great delight in those pictures, and knowing that he wished to have the ceiling of the chapel of his uncle Sixtus painted, spoke to him of Michelagnolo, adding that he had already executed the bronze statue in Bologna.
"We may assume then that the colossal statues of Giuliano and Lorenzo were studied with a view to their light and shadow as much as to their form; and this is a fact to be remembered by those who visit the chapel where Buonarroti laboured both as architect and sculptor.
The works of this master date about the year of our salvation, 1515, and he died in the year 1522. The name given in the text is Domenico. Francesco di Paolo Giamberti, who was a passing good architect in the time of Cosimo de' Medici, and was much employed by him, had two sons, Giuliano and Antonio, whom he apprenticed to the art of wood-carving.
Altamura was received in Rome and sumptuously entertained by the Cardinal Giuliano della Rovere. This cardinal had failed, as we have seen, to gain the Pontificate for himself, despite the French influence by which he had been supported.
She was a Genoese, and proud as the snow. Why did Giuliano love her? Did he love her, indeed? He was bewitched then, for she was cold, and a brazen creature in spite of it. How dare she bare her neck so! Oh! 'twas Genoese. "Uomini senza fede e donne senza vergogna," they quoted as they ran.
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