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In the Worship of Venus and the Bacchanal the allegiance to Giorgiono has been partly, if not wholly, shaken off; the naïveté remains, but not the infinite charm of the earlier Giorgionesque pieces. In the Bacchus and Ariadne Titian's genius flames up with an intensity of passion such as will hardly again be seen to illuminate it in an imaginative subject of this class.
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