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When Gian Giacomo died in 1555, his brother Battista succeeded to his claims upon Lecco and the Trepievi. His monument, magnificent with five bronze figures, the masterpiece of Leone Lioni, from Menaggio, Michelangelesque in style, and of consummate workmanship, still adorns the Duomo of Milan. It stands close by the door that leads to the roof.

At worst, we have but anticipated by a little what the Duke must have learnt from other sources." "But it is just that little the few hours or days that will do the mischief," snapped the jester testily, for all that he lowered his voice. "In a few days Gian Maria will be back.

'In the middle of the fourteenth century, writes Sismondi, 'all the soldiers who served in Italy were foreigners: at the end of the same century they were all, or nearly all, Italian. This sentence indicates a most important change in the Condottiere system, which took place during the lifetime of Gian Galeazzo Visconti.

Then he proceeded to show that the woman had really died from natural causes; for, even granting that she had swallowed arsenic in the cake, she had vomited at once, and the poison would have no time to do its work; moreover there was no proof that Gian Battista had given specific directions to anybody to mix poison with the ingredients of the cake.

It will not be safe to put the picture too late in the earlier section of Vecelli's work, though, with all its freshness of inspiration and still youthful passion, it shows a further advance on the Worship of Venus and the Bacchanal, and must be deemed to close the great series inaugurated by the Feast of the Gods of Gian Bellino.

Now, Gian Bellino and the other masters of that country, not having the habit of studying the antique, were accustomed to copy only what they saw before them, and that in a dry, hard, labored manner, which Titian also acquired; but about the year 1507, Giorgione da Castel Franco, not being satisfied with that mode of proceeding, began to give to his works an unwonted softness and relief, painting them in a very beautiful manner; yet he by no means neglected to draw from the life, or to copy nature with his colors as closely as he could; and in doing the latter he shaded with colder or warmer tints as the living object might demand, but without first making a drawing; since he held that, to paint with the colors only, without any drawing on paper, was the best mode of proceeding, and most perfectly in accord with the true principles of design.

"And so the soul of the dead is satisfied." This came from Giorgio Viola, who went on talking for a while of his dead wife; while the two, sitting side by side, never looked at each other. Then the old man ceased; and Linda, motionless, began to speak. "Ever since I felt I lived in the world, I have lived for you alone, Gian' Battista. And that you knew! You knew it . . . Battistino."

The fellow became instantly reassured. He got the sack; and Otto led him round by several paths and avenues, conversing pleasantly by the way, and left him at last planted by a certain fountain where a goggle-eyed Triton spouted intermittently into a rippling laver. Thence he proceeded alone to where, in a round clearing, a copy of Gian Bologna's Mercury stood tiptoe in the twilight of the stars.

His defection from the cause of mutiny was the signal for the utter abandoning of that cause itself, and another stout ally came opportunely to weigh in Francesco's favour was the fact that the half-hour of grace was now elapsed, and Gian Maria's guns continued silent.

"I was thinking, too," he said presently, "of that man Gian Maria in the plain yonder, and of this shameful siege." "You you have no misgivings?" she faltered, for his words had disappointed her a little. "Misgivings?" "For being here with me. For being implicated in what they call my rebellion?" He laughed softly, his eyes upon the silver gleam of waters below.