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Once more, let Genast go beyond his position as stage-manager, which, no doubt, he fills as well as any one, and let him become the guardian of the infants and the neglected. By these words I by no means wish to express a definite doubt as to your singers in general or their achievements in this particular case.

Nothing can here be done in a casual manner; you must proceed on principle and with expressed intention. Genast is a splendid fellow, but he has grown old in routine; he does not know, and will never understand, what has to be done. A man like Eduard Devrient would be of excellent effect for the training of your actors, for he knows what has to be done.

Genast, the stage manager, in particular, aroused great excitement by spreading the report that Rockel, who was well known at Weimar, had been guilty of arson. Liszt must soon have gathered from my conversation, in which I did not take the trouble to dissimulate, that I too was suspiciously connected with these terrible events, though my attitude with regard to them misled him for some time.

Whether you accept those proposed by Genast, or whether you determine upon others, or whether, which is probable, you prefer to keep your work such as we have given it twice, I promise you on my honour that your wish shall be strictly carried out, with all the respect and all the submission which you have a right to demand by reason of your genius and of your achievements.

Some of my friends thought it would have been better if he had spoken of my "faults as a man" rather than of my "faults as a subject;" but that, surely, does not matter, and every one must have understood it in that sense. A better intention to serve me I can look for in none except you. To Genast I wrote a few days ago.

From Herren von Zigesar, Biedenfeld, and Genast I simultaneously received letters of joyfullest and friendliest import; I answer them all at once by making you my interpreter, and through you greet those gentlemen with all my heart. Hold me dear as before. I give to you in return what is in me, and what therefore I call my own. God bless you, dear Liszt. Your DRESDEN, February 20th, 1849

I am very glad you have published that pamphlet, and advise you strongly to do the same thing for "Lohengrin" and the "Flying Dutchman." I have not yet succeeded in discovering your designs and instructions for "Lohengrin"; I gave them at the time to Genast, and they made the round of the theatre here.

Greet them kindly, also Raff, and Genast, and Zigesar, without forgetting the brave artists to whom I owe so much gratitude. I am deep in my work on "Opera and Drama;" it is, as I told you, of the greatest importance to me, and I hope it will not be without importance to others. But it will be a great, stout volume.

At his last stay in Berlin he spoke of Tannhauser to the King and the Prince of Prussia, so as to let them know in Berlin how the matter stands. Two or three days later please write also a few lines to Genast, who has behaved extremely well in all the transactions preceding "Lohengrin," and who will zealously execute your indications as to the mise-en-scene.

With you, dear Liszt, who have so bravely accepted my battle, it lies to gain a complete victory for me. I do not know what more I could say; to you I have said enough. To Genast, for whom also this letter is intended, I shall write separately as soon as I know that my demand has not offended him. To Zigesar I write tomorrow.