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Gautier sang to his antique lyre praise of the flesh and contempt of the soul; Baudelaire on a mediæval organ chaunted his unbelief in goodness and truth and his hatred of life. But Verlaine advances one step further: hate is to him as commonplace as love, unfaith as vulgar as faith. The world is merely a doll to be attired to-day in a modern ball dress, to-morrow in aureoles and stars.

She had made a private arrangement with Ellingham to plead a headache at the last moment and let Arthur go alone. But he had been so insistent that she had been forced to go, after all. She had sent the governess, Suzanne Gautier, out to telephone Ellingham not to come, but he was not at his house, and the message was left with his valet. As it turned out, he had already started.

Theophile Gautier, Jules Sandeau, and Leon Gozlan were among the members; and so dazzling were the pictures drawn by Balzac of the powers and scope of the society, that each one saw himself in imagination with a seat in the French Academy, and in succession peer of France, minister, and millionaire.

"My dear Mrs. Sirrett, we want originality and imagination." "Yes, indeed. But can't they be sane and healthy?" "Was Gautier healthy when he wrote of the Priest and of the Vampire? This book Mark is writing will be awful in its intensity. It will make the world turn cold. It is terrible. People will shudder at it." He walked about the room enthusiastically.

"I'll stand the child six months with her," she said, "or a year even. So it won't cost you anything. And Madame Gautier is in London now. You could run up and talk to her yourself." "Does she speak English?" he asked, anxiously, and being reassured questioned further. "And you?" he asked.

You seem to be able to do both those things, Pierre. Just go to it, my boy, and you need not fear but you will be earning good wages soon." In spite of his French ancestry Monsieur Gautier had caught the American slang. Pierre glanced up into his face. "I shall do my best for my mother's sake, if for no other," he replied. "Well, you'll certainly have your chance to work here," laughed his uncle.

Theophile Gautier got out of Seville all that it has to offer. We who come after him can only repeat his sensations. He put large fat hands on the obvious and there is nothing but the obvious there; and it is all finger-marked and frayed. Murillo is its painter."

And then the second miracle in my career, which has been full of miracles I came across a casual reference, in the Staffordshire Recorder, of all places, to the Mademoiselle de Maupin of Théophile Gautier. Something in the reference, I no longer remember what, caused me to guess that the book was a revelation of matters hidden from me. I bought it.

Gautier and her two nieces, of whom the younger was called Estelle. When the boy Hector saw her for the first time, he was twelve, a shy, retiring little fellow. Estelle was just eighteen, tall, graceful, with beautiful dusky hair and large soulful eyes. Most wonderful of all, with her simple white gown, she wore pink slippers.

There was not a soul visible but an occasional playing child. It was curious how quiet the camp became. Horrocks was not deceived, however. He knew that a hundred pairs of eyes were watching him from the reeking recesses of the huts. "No talk here." Gautier was serious, and his words conveyed a lot. "It's bad medicine your coming to-night.