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Then, as he returned to the shop, Lisa made her way to the cab-stand opposite St. Eustache, got into a cab, pulled down the blinds, and told the driver to go to the Gaite Theatre. She felt afraid of being followed. When she had booked two seats, however, she directed the cabman to drive her to the Palais de Justice.

Aunt Helen and Everard had vacated the drawing-room, so I plumped down on the piano-stool and dashed into Kowalski's galop, from that into "Gaite de Coeur" until I made the piano dance and tremble like a thing possessed. My annoyance faded, and I slowly played that saddest of waltzes, "Weber's Last". I became aware of a presence in the room, and, facing about, confronted Everard Grey.

Glancing an eye over them, as if to scan their quality and number, he smiled, with a look in which high daring and practised self-command was blended with a constitutional gaîté de coeur. "One deck, or two!" he added; "what avails a plank, more or less, in an explosion? Follow!" The free-trader and his people disappeared in the interior of the ship.

Bordenave, Daguenet, Labordette, Prulliere and others, besides, had swollen the group, and now they were all listening to Fontan, who was explaining his plan for taking Berlin within a week. Meanwhile Maria Blond was touched as she stood by the bedside and murmured, as the others had done before her: "Poor pet! The last time I saw her was in the grotto at the Gaite."

He told Cogniard he was willing to allow the revival, if care were taken against there being any caricature of the now disposed monarch. The manager agreed, but the performances did not come off, apparently on account of the disturbed state of the city. In 1850, an unauthorized revival was put on the stage of the Gaite, while Balzac was at Dresden.

Prices were cited the five days' sale produced more than six hundred thousand francs. For the last time Paris had seen her in a fairy piece. It was called Melusine, and it played at the Theatre de la Gaite, which the penniless Bordenave had taken out of sheer audacity. Here she again found herself in company with Prulliere and Fontan.

On inquiry of the damsel at the counter, Lucien was told that his future friend was on the staff of a small newspaper, and wrote reviews of books and dramatic criticism of pieces played at the Ambigu-Comique, the Gaite, and the Panorama-Dramatique. The young man became a personage all at once in Lucien's eyes.

Verdi set a tragedy by Solera to music in 1845, and in 1869 Gounod wrote some music for a piece by Jules Barbier, which was performed with some success at the Gaîté Théâtre in Paris in 1873.

Oh, we know this gâité de coeur! You'll presently be intime o' Portsmouth and Cleveland and all o' them!" "Madame," groans Pierre Radisson, "swear, if you will! But as you love me, don't abuse the French tongue!" At which she gave him a slap with her fan. "An I were not so young," she simpers, "I'd cuff your ears, you saucy Pierre!"

They had already read the journals and knew that the poem had been applauded at the Gaite, and that it had at once been printed on the first page of the journal; and they were all so pleased, so glad, that they kissed Amedee on both cheeks.