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"Five thousand ducats!" she said, in amazement. "Why, I don't give more than that to one of my field-marshals." "Very well," replied the audacious Gabrielli; "your Majesty may get your field-marshals to sing for you, then."

The Palazzo Gabrielli, for two or three centuries the chief dwelling of the Orsini, is built in the midst of the city like a great fortification, with escarpments and buttresses and loop-holes; and at the main gate there is still a portcullis which sinks into the ground by a system of chains and balance weights and is kept in working order even now.

This sort of social stimulus had become necessary from long use as an ally of professional effort; and, lacking it, Gabrielli became insufferably indolent and careless. She would not take the least trouble to please fastidious London audiences, then as now the most exacting in Europe.

When Gabrielli was on her way to England in 1765, she sang for a few nights in Venice with the celebrated Pacchierotti, a male soprano singer who took the place of Caffarelli, even as the latter filled that vacated by Farinelli. Gabrielli was inspired by the association to do her utmost, and when she sang her first aria di bravura, Pacchierotti gave himself up for lost.

Swords were drawn freely in the quarrels which she delighted to foster, and dueling became a mania with those who aspired to her favor. The passions she instigated sometimes took eccentric courses. The French Ambassador, who loved her madly, suspected the Portuguese Minister of being more successful than himself with the lovely Gabrielli.

When Brydone was in Sicily, her lover promised to give him an example of his power over her. "He took his seat accordingly; but Gabrielli, probably suspecting the connivance, would take no notice of him; so even this expedient does not always succeed."

Clement VIII took pity on her; compelled Francesco Cenci to give her a dowry of sixty thousand crowns, and married her to Carlo Gabrielli, of a noble family of Gubbio. Francesco was driven nearly frantic with rage when he saw this victim released from his clutches.

Gabrielli still preserved all her excellence of voice and charm of execution; but her rare beauty, which had been as great a factor in her success as artistic skill, was on the wane. The English engagement had been made with some reluctance; for the stern and uncompromising temper of the island nation had been widely recognized with exaggerations in Continental Europe.

Petrarch and Boccaccio had described the representation of every sort of fame as attendants each of an allegorical figure; the celebrities of past ages were now made attendants of the prince. The poetess Cleofe Gabrielli of Gubbio paid this honour to Borso of Ferrara.

It is not yet quite certain whether Gabrielli will come. Some say Madame de' Amicis will sing in it; we shall see her in Naples. I wish that she and Manzuoli could act together; we should then be sure of two good friends. The libretto is not yet chosen. I am at this moment at work on the aria "Se ardore e speranza." Rome, April 25, 1770.