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Not only did they use in its decoration spire-lights, crockets, ribs and cinctures, bands of gablets, and masses of reticulated relief, but, with wonderful skill, they pierced each face from base to apex in foliated patterns of great richness, so that the whole spire became a web of delicate open-work, through which the light was sprinkled in beautiful shapes, varying with every movement of the beholder.
A finger-post was at the angle, with arms pointing in three directions. The chapel was a low whitewashed Gothic building, with a little belfry in which there hung no bell. At its rear was a house with broken gablets and round dormers stuck deep into the thatch.
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