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His instinct for richness of sound is equally conspicuous where it is found in purely Latin phrases, as in the opening of the sixteenth elegy Quae fueram magnis olim patefacta triumphis Ianua Tarpeiae nota pudicitiae Cuius inaurati celebrarunt limina currus Captorum lacrimis umida supplicibus, and where it depends on a lavish use of Greek ornament, as in the opening of the third
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