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He refers to the ever recurring world-parent myths of savage peoples, in which the son begets upon the mother a new generation. He cites after Frobenius a story from Joruba, Africa, where the son and daughter of the world parents marry and have a son, who falls in love with his mother. As she refuses to yield to his passion he follows and overpowers her.

Von Luschan: Verhandlungen der berliner Gesellschaft für Anthropologie, etc., 1898. Frobenius: Voice of Africa, Vol. Cf. p. 58. Keane: Africa, II, 117-118. The Congo, I, Chap. Harris: Dawn in Africa. We have already seen how a branch of the conquering Bantus turned eastward by the Great Lakes and thus reached the sea and eventually both the Nile and South Africa.

Other evidence, especially from Bernhardi, Frobenius, and the works of the Pan-German and Navy Leagues, might be quoted in proof of Germany's design to begin war when she was fully prepared. Now, the immense sums voted in the War Budget of 1913 had not as yet provided the stores of artillery and ammunition that were to astonish the world. Nor had Turkey recovered from the wounds of 1912.

The antique bronze head Frobenius describes as "a head of marvelous beauty, wonderfully cast," and "almost equal in beauty and, at least, no less noble in form, and as ancient as the terra-cotta heads." In a park of monuments Frobenius saw the celebrated forge and hammer: a mighty mass of iron, like a falling drop in shape, and a block of quartz fashioned like a drum.

Again Aaron looked at him, baffled, almost with hatred. Lilly grimaced at the blank wall opposite, and seemed to ruminate. Then he went back to his book. And no sooner had he forgotten Aaron, reading the fantasies of a certain Leo Frobenius, than Aaron must stride in again. "You can't say there isn't a difference between your position and mine," he said pertinently.

There are those, nevertheless, who would write universal history and leave out Africa. But how, asks Ratzel, can one leave out the land of Egypt and Carthage? and Frobenius declares that in future Africa must more and more be regarded as an integral part of the great movement of world history.

In the Sudan to-day Frobenius distinguishes four principal religions: first, earthly ancestor worship; next, the social cosmogony of the Atlantic races; third, the religion of the Bori, and fourth, Islam. The Bori religion spreads from Nubia as far as the Hausa, and from Lake Chad in the Niger as far as the Yoruba.

Summing up Yoruban civilization, Frobenius concluded that "the technical summit of that civilization was reached in the terra-cotta industry, and that the most important achievements in art were not expressed in stone, but in fine clay baked in the furnace; that hollow casting was thoroughly known, too, and practiced by these people; that iron was mainly used for decoration; that, whatever their purpose, they kept their glass beads in stoneware urns within their own locality, and that they manufactured both earthen and glass ware; that the art of weaving was highly developed among them; that the stone monuments, it is true, show some dexterity in handling and are so far instructive, but in other respects evidence a cultural condition insufficiently matured to grasp the utility of stone monumental material; and, above all, that the then great and significant idea of the universe as imaged in the Templum was current in those days."

The book was first printed at Louvain, late in 1516, under the editorship of Erasmus, Peter Giles, and other of More's friends in Flanders. It was then revised by More, and printed by Frobenius at Basle in November, 1518. It was reprinted at Paris and Vienna, but was not printed in England during More's lifetime.