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You might not suspect it from her conversation, but my wife has no feeling for art Italian art, that is; for no one is fonder of our early Victorian school." "Frith's Railway Station, you know," said Mrs. Lombard, smiling. "I like an animated picture."

We can only say that his position there is not to the credit of his philosophical professions; and that we can contemplate his presence there with as little satisfaction as we look on the figure of the worldly and frivolous bishop in Mr. Frith's picture of "The Last Sunday of Charles II. at Whitehall."

He singles out the Müller as his greatest treasure, for it was the last and possibly the best work the artist ever chronicled with his brush, and he died eight days after its completion. Pointing to the first study of Frith's "Dolly Varden," Sir Robert said: "Frith painted three 'Dolly Vardens. One of these was a commission from Dickens in 1844, for which he received £20.

And then he would go downstairs again, down to newspapers and fires, toast and tea, the large print of Frith's "Railway Station," and the coloured supplement of Greiffenhagen's "Idyll," and the tattered numbers of the Windsor and the Strand magazines, and, behold, all these things were real and all the things in the nursery unreal. Could it be that both worlds were real?

The case, in Frith's opinion, was unique, because, despite the number of persons it was necessary to study and consider, in none of their relations with the family involved could there be found a shadow of unfriendly intercourse, a harbored grudge, or a suggestion of ill-feeling. The people were all simple and ingenuous.

"I see you've some drawings at the 'Water Colours," said Soames. Jolyon winced. He had been out of touch with the Forsyte family at large for twenty-six years, but they were connected in his mind with Frith's 'Derby Day' and Landseer prints. He had heard from June that Soames was a connoisseur, which made it worse. He had become aware, too, of a curious sensation of repugnance.

The only clerk out there, whom he knew, would, he thought, be no element of safety, and would not like the youth the better either for bringing his recommendation or bearing old Frith's name.

"'Will you walk into my parlour? said the spider to the fly." There was no doubt on that day, at least, of the flies swarming in. Frith's celebrated picture occurred instantly to my mind, and I saw at a glance how faithful it was to the sad reality. You cannot fail to be struck by the extreme quiet amongst so many people. Every one speaks in whispers.

It is simple and natural, and entirely free from the besetting sins of so slight a picture triviality, affectation, empty prettiness, or simply silliness. In its way it is perfect, and for that perfection is for ever reserved the popularity which we find temporarily accorded to pictures like Frith's Dolly Varden or Millais' Bubbles.

Martyn did not reach home till some hours after all was over, poor boy. And in the midst of our desolateness, just as we had let the daylight in again upon our diminished numbers round the table, came a letter from Hong-Kong, addressed to me in Lawrence Frith's writing, and the first thing I saw was a scrawl, as follows: 'DEAREST TED All is in your hands. You can do IT. God bless you all.