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<b>CORAZZI, GIULITTA.</b> Born at Fivizzano, 1866. Went to Florence when still a child and early began to study art. She took a diploma at the Academy in 1886, having been a pupil of Cassioli. She is a portrait painter, and among her best works are the portraits of the Counts Francesco and Ottorino Tenderini, Giuseppe Erede, and Raffaello Morvanti.
In front of him was Fivizzano, nothing, it is true, but a village surrounded by walls, but beyond Fivizzano lay Sarzano and Pietra Santa, both of them considered impregnable fortresses; worse than this, they were coming into a part of the country that was especially unhealthy in October, had no natural product except oil, and even procured its own corn from neighbouring provinces; it was plain that a whole army might perish there in a few days either from scarcity of food or from the unwholesome air, both of which were more disastrous than the impediments offered at every step by the nature of the ground.
And then where is there a better inn than Albergo Amorosi of Bibbiena, unless, indeed, it be the unmatched hostelry at Fivizzano? As for inns, in general they are fair enough; though none, I think, so good as the Amorosi. You may sleep and eat comfortably at Stia, either at Albergo Falterona or Albergo della Stazione Alpina.
Wherefore Francia, half dead with terror at the beauty of the picture, which lay before his eyes challenging comparison with those by his own hand that he saw around him, felt all confounded, and had it placed with great diligence in that chapel of S. Giovanni in Monte for which it was destined; and taking to his bed in a few days almost beside himself, thinking that he was now almost of no account in his art in comparison with the opinion held both by himself and by others, he died of grief and melancholy, so some believe, overtaken by the same fate, through contemplating too attentively that most lifelike picture of Raffaello's, as befell Fivizzano from feasting his eyes with his own beautiful Death, about which the following epigram was written: Me veram pictor divinus mente recepit; Admota est operi deinde perita manus.
The pope began to be affected by the general terror: he had heard of the massacres of Fivizzano, of Lunigiane, and of Imola; he knew that Piero dei Medici had handed over the Tuscan fortresses, that Florence had succumbed, and that Catherine Sforza had made terms with the conqueror; he saw the broken remnants of the Neapolitan troops pass disheartened through Rome, to rally their strength in the Abruzzi, and thus he found himself exposed to an enemy who was advancing upon him with the whole of the Romagna under his control from one sea to the other, in a line of march extending from Piombina to Ancona.
These terror-striking examples were the massacres of the inhabitants of Rapallo on the Genoese Riviera, and of Fivizzano in Lunigiana. Soldiers and burghers, even prisoners and wounded men in the hospitals, were butchered, first by the Swiss and German guards, and afterwards by the French, who would not be outdone by them in energy.
A jealous neighbour of his, the Marquis of Torderiovo, had betrayed to the French the weak side of Fivizzano, so that they had taken it by storm, and had put its soldiers and inhabitants to the edge of the sword; on another side, Gilbert of Montpensier, who had been lighting up the sea-coast so as to keep open the communications between the French army and their fleet, had met with a detachment sent by Paolo Orsini to Sarzano, to reinforce the garrison there, and after an hour's fighting had cut it to pieces.
In front of him was Fivizzano, nothing, it is true, but a village surrounded by walls, but beyond Fivizzano lay Sarzano and Pietra Santa, both of them considered impregnable fortresses; worse than this, they were coming into a part of the country that was especially unhealthy in October, had no natural product except oil, and even procured its own corn from neighbouring provinces; it was plain that a whole army might perish there in a few days either from scarcity of food or from the unwholesome air, both of which were more disastrous than the impediments offered at every step by the nature of the ground.
Carmen all ze way through." An apparent repetition of which statement he immediately made with equal raucousness in two or three languages. There was a call to Caravaggio in English, to Ricardo and the Signers Fivizzano and Rivaroli in Italian, to Messrs.
A jealous neighbour of his, the Marquis of Torderiovo, had betrayed to the French the weak side of Fivizzano, so that they had taken it by storm, and had put its soldiers and inhabitants to the edge of the sword; on another side, Gilbert of Montpensier, who had been lighting up the sea-coast so as to keep open the communications between the French army and their fleet, had met with a detachment sent by Paolo Orsini to Sarzano, to reinforce the garrison there, and after an hour's fighting had cut it to pieces.
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