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No one with the love of the grotesque which is the American portion of the human tastes or passions, can fail of his joy in the play of the obvious traits and motives of her Hebrew comedy, but he will fail of something precious if he does not sound the depths of true and beautiful feeling which underlies the comedy." A similar distinction marks Edna Ferber's story entitled "The Gay Old Dog."

Less sure than Miss Hurst in her ability to present her material in artistic form, her observation is equally keen and accurate, and in at least two stories in the present volume she seems to meet Miss Hurst on equal ground. "The Maternal Feminine," in my opinion, ranks with "The Gay Old Dog" as Miss Ferber's best story.

The success of this great meeting brought about a host of imitations of which only a few deserve bare mention since, unlike the first, they taught nothing and achieved little. There was the meeting at Boulogne late in September of 1909, of which the only noteworthy event was Ferber's death.

For stories about the home the Committee have a weakness: Miss Ferber's "April Twenty-fifth As Usual," cheerfully proclaiming the inevitableness of spring cleaning, might be published with the sub-title, An Epic of the Housekeeper. They were alert for reflections of life in America and elsewhere.

For stories about the home the Committee have a weakness: Miss Ferber's "April Twenty-fifth As Usual," cheerfully proclaiming the inevitableness of spring cleaning, might be published with the sub-title, An Epic of the Housekeeper. They were alert for reflections of life in America and elsewhere.

Ferber's chief contemporaries in France were Santos-Dumont, of airship fame, Henri and Maurice Farman, Hubert Latham, Ernest Archdeacon, and Delagrange.

Ferber's experiments in gliding began in 1899 at the Military School at Fountainebleau, with a canvas glider of some 80 square feet supporting surface, and weighing 65 lbs. Two years later he constructed a larger and more satisfactory machine, with which he made numerous excellent glides.

She was a buyer, one of Miss Ferber's Emma McChesneys on a lark. Gilfoyle did not tell Kedzie any of this. He told what followed as he toiled at the fearfully complicated problem of his shoe-laces, a problem rendered almost insuperable by the fact that he could not hold his foot high very long and dared not hold his head low at all. "Wonnerful thing happent t'night, Anita.