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In one place might be read, "Celebration in the city of St. Petersburg, of the Peace concluded with the Turkish Empire by his Excellency, Prince Alexander Alexandrovich Prozorovsky". In another, "Recipe of a decoction for the chest," with the remark. "This prescription was given the Generaless Prascovia Fedorovna Saltykof, by the Archpresbyter of the Life-beginning Trinity, Fedor Avksentevich."

Why doesn't some patient drudge of a privat dozent compile a dictionary of the stable-names of the great? All show dogs and race horses, as everyone knows, have stable-names. On the list of entries a fast mare may appear as Czarina Ogla Fedorovna, but in the stable she is not that at all, nor even Czarina or Olga, but maybe Lil or Jennie.

The Cyclop flew into a rage and slapped her thighs. One of the periodic scenes ensued. "What?" Leontyevna cried, "I am not trusted, I am being spied on! Lina Fedorovna, I am going to complain to the Exchange." Lina Fedorovna joined in from behind her door. "She isn't trusted, she is being spied on," she echoed, "there must be spies in this house! And they call themselves intellectual people!"

"But if there is one person that I cannot understand, it is my grandmother, the Countess Anna Fedorovna!" "How so?" inquired the guests. "I cannot understand," continued Tomsky, "how it is that my grandmother does not punt." "Then you do not know the reason why?" "No, really; I haven't the faintest idea. But let me tell you the story.

He took the guitar a little above the fingerboard, arching his left elbow with a somewhat theatrical gesture, and, with a wink at Anisya Fedorovna, struck a single chord, pure and sonorous, and then quietly, smoothly, and confidently began playing in very slow time, not My Lady, but the well-known song: Came a maiden down the street.

Prince Vasili wished to obtain this post for his son, but others were trying through the Dowager Empress Marya Fedorovna to secure it for the baron. Anna Pavlovna almost closed her eyes to indicate that neither she nor anyone else had a right to criticize what the Empress desired or was pleased with.

She did the right thing with such precision, such complete precision, that Anisya Fedorovna, who had at once handed her the handkerchief she needed for the dance, had tears in her eyes, though she laughed as she watched this slim, graceful countess, reared in silks and velvets and so different from herself, who yet was able to understand all that was in Anisya and in Anisya's father and mother and aunt, and in every Russian man and woman.

The tune, played with precision and in exact time, began to thrill in the hearts of Nicholas and Natasha, arousing in them the same kind of sober mirth as radiated from Anisya Fedorovna's whole being. Anisya Fedorovna flushed, and drawing her kerchief over her face went laughing out of the room.

Anisya Fedorovna came in and leaned her portly person against the doorpost. "You like listening?" she said to Natasha, with a smile extremely like "Uncle's." "That's a good player of ours," she added. "He doesn't play that part right!" said "Uncle" suddenly, with an energetic gesture. "Here he ought to burst out that's it, come on! ought to burst out." "Do you play then?" asked Natasha.

"Uncle" continued to play correctly, carefully, with energetic firmness, looking with a changed and inspired expression at the spot where Anisya Fedorovna had just stood.