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And so when Lilly graduated from High School, third in her class, and again slightly to the rear of Estelle Foote, who read the valedictory, she was executing excitedly, if sloppily, "The Turkish Patrol," was singing in an abominably trained but elastic enough soprano, the "Jewel Song" from "Faust," and "Jocelyn," a lullaby, and at a private recital of the Alden School of Dramatic Expression had recited "A Set of Turquoise" to incidental music.

"But, sir," persisted Faust, "if you've got your money all on, can I take a bit now? Is it good business? We've worked together a good deal without misunderstanding before." "Yes, we have," commented Crane. "Yes; an' I'd like to be in on this now. I didn't mean to forestall you." Crane raised his hand in an attitude of supplication for the other man to desist, but Faust was not to be stopped.

Every night that "Faust" is sung this young woman goes to the bad. Every night that "Faust" is sung every woman in the audience sympathizes with Marguerite, who behaves so badly. Many shed tears over her misfortune. All forgive her, feel sorry for her, and know that she is not to blame.

The opera was there, and, with all due respect to Mr. Grau, I must admit that we saw the most perfect production of "Faust" in Vienna than I ever saw on any stage.

It was, we said, a good world, and I, simpleton, pretty and dainty as Margaret was, deemed it would go on forever. But, alas! one day came a Faust into our garden, a good Faust, with no friend Mephistopheles, and took Margaret from me. It is but a month since they were married, and the rice still lingers in the crevices of the pathway down to the quaint old iron-work gate.

The interest of the former is poetic and thoroughly human; the interest of the other is partly poetic, but mostly philosophic and scientific.... The symbolical character of "Faust" is assumed by all the critics, and in part confessed by the author himself.

Balzac likens the hero of one of his short stories to "Moliere's Don Juan, Goethe's Faust, Byron's Manfred, Maturin's Melmoth great allegorical figures drawn by the greatest men of genius in Europe." "But what is 'Melmoth'? Why is HE classed as 'a great allegorical figure'?" exclaimed many a surprised reader.

That sort of girl, brought up to hard work and by no means too well educated, is all the better for having something to do. Later, with the gradual arrival of the family, a good, all-round woman might have been hired in to assist. Faust, of course, would have had his study and got to work again; that would have kept him out of further mischief.

At its best it was bad Faust. Its least intolerable melodies were quotations from Faust, an assertion which he proved from time to time by singing, and not very softly either, the original themes to the wrath of all who sat within a twenty-five foot radius of them.

Margaret is to be seen full length; the little German soubrette does her best to be the Helen Faust takes her for; and we are meant to be profoundly interested in the love-story. "Most of all," the programme assures us, Wills "strove to tell the love-story in a manner that might appeal to an English-speaking audience."