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Carl, the rich Jew manager of the Wieden, and proprietor of the Leopold-Stadt Theatre, is adding largely to his fortune, thanks to the rich and racy drolleries of Nestroz and Schulz, who are the Matthews and Liston of Vienna. The former of these excellent actors is certainly the most successful farce-writer in Germany.

And why, after all, should not the collective wisdom of England be able to equal in ingenuity the conceptions of a farce-writer? Meanwhile, it is plain that political dissensions, and the rivalries of party, will prevent that mutual good understanding which might prove so beneficial to all. Reconciliations are but flimsy things at best; and whether the attempt be made to conciliate two rival churches, two opposite factions, or two separate interests of any kind whatever, it is usually a failure. It, therefore, becomes the duty of every good subject, and,

They must needs be men of lofty stature, whose shadows lengthen out to remote posterity. A great farce-writer may be a great man; for Moliere was but a great farce-writer. In my mind, the author of Don Quixote was a great man. So have there been many others. A great chess-player is not a great man, for he leaves the world as he found it. No act terminating in itself constitutes greatness.

Thus even her real name has not hitherto leaked out, and to this day the O'Keeffes are unaware of their relative's reputation and believe their one connection with the stage to be a dubious and undesirable consanguinity with O'Keeffe, the actor and fertile farce-writer whose Wild Oats made a sensation at Covent Garden at the end of the eighteenth century.

Sheridan survived through the whole of the time and a good deal beyond it; but his best work was done, and the chief dramatists of the actual day were Colman, Holcroft, Cumberland, and the farce-writer O'Keefe, a man of humour and a lively fancy. One, however, of these minor writers has too much of what has been called "the interest of origins" not to have a paragraph to himself.

The town, like a peevish child, knows not what it desires, and is always best pleased with a rattle. A farce-writer hath indeed some chance for success: but they have lost all taste for the sublime. Though I believe one reason of their depravity is the badness of the actors. If a man writes like an angel, sir, those fellows know not how to give a sentiment utterance."