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It was now too late to secure another, and there was nothing to take its place. The great vacant space in the centre of the table spoiled the effect of all that had been done to make the feast artistic in appearance, and it was certain that Signor Faliero would be sorely displeased. But what was to be done? The poor fellow whose business it was to arrange the table was at his wits' end.

No prisoner, whose name is worth remembering, or whose sorrow deserved sympathy, ever crossed that "Bridge of Sighs," which is the centre of the Byronic ideal of Venice; no great merchant of Venice ever saw that Rialto under which the traveller now passes with breathless interest: the statue which Byron makes Faliero address as of one of his great ancestors was erected to a soldier of fortune a hundred and fifty years after Faliero's death; and the most conspicuous parts of the city have been so entirely altered in the course of the last three centuries, that if Henry Dandolo or Francis Foscari could be summoned from their tombs, and stood each on the deck of his galley at the entrance of the Grand Canal, that renowned entrance, the painter's favorite subject, the novelist's favorite scene, where the water first narrows by the steps of the Church of La Salute, the mighty Doges would not know in what spot of the world they stood, would literally not recognize one stone of the great city, for whose sake, and by whose ingratitude, their gray hairs had been brought down with bitterness to the grave.

For a time, however, she retired to a villa about fifteen miles from Ravenna, where she was visited by Byron at comparatively rare intervals. By the end of July he had finished Marino Faliero, and ere the close of the year the fifth canto of Don Juan. in September he says to Murray, "I am in a fierce humour, at not having Scott's Monastery. No more Keats, I entreat.

It is to be presumed he saw no reason to delay, for with a secret sign to his companion to follow, he crossed the area, and mounted the well known steps, down which the head of the Faliero had rolled, and which, from the statues on the summit, is called the Giant's Stairs.

Entering into somewhat of the desperate and revengeful ambition that, under a similar constitution, animated Marino Faliero, Pausanias sought, by means of the enslaved multitude, to deliver himself from the thraldom of the oligarchy which held prince and slave alike in subjection.

She descended the well known flight, down which the head of Faliero had rolled, and was soon beneath the arch of the gate. Here the timid and unpractised maid again stopped, for she could not venture into the square without assuring herself, like a deer about to quit its cover, of the tranquillity of the place into which she was to enter.

At the head of the Giant's Staircase, where Marino Faliero was beheaded, and where the Doges were crowned in ancient times, two small slits in the stone wall were pointed out two harmless, insignificant orifices that would never attract a stranger's attention yet these were the terrible Lions' Mouths!

Residence in Ravenna The Carbonari Byron's Part in their Plot The Murder of the military Commandant The poetical Use of the Incident "Marino Faliero" Reflections "The Prophecy of Dante" Lord Byron has said himself, that except Greece, he was never so attached to any place in his life as to Ravenna. The peasantry he thought the best people in the world, and their women the most beautiful.

He had just completed two of his now forgotten operas, "Bianca e Faliero," and "Matilda di Shabran," but did not stay to watch their public reception. He quietly took away the beautiful Colbran, and at Bologne was married by the archbishop. Thence the freshly-wedded couple visited Vienna, and Rossini there produced his "Zelmira," his wife singing the principal part.

We next descended the magnificent staircase of the Giganti, and we called to mind the old Doge Faliero, who was beheaded there. We entered through the great gate which opens upon the small square from the court-yard of the palace, and we then turned to the left, in the direction of the lake. In the centre of the small square was raised the scaffold which we were to ascend.