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The Floressas Des Esseintes, to judge by the various portraits preserved in the Chateau de Lourps, had originally been a family of stalwart troopers and stern cavalry men.

He liked knowingly spiced foods, ardent wines heavy with aromatics; he dreamed of unknown gems, weird stones, uncanny metals. He was the Des Esseintes of the fifteenth century! "All this was very expensive, less so, perhaps, than the luxurious court which made Tiffauges a place like none other.

The secret lies in knowing how to proceed, how to concentrate deeply enough to produce the hallucination and succeed in substituting the dream reality for the reality itself. Artifice, besides, seemed to Des Esseintes the final distinctive mark of man's genius. Nature had had her day, as he put it.

The bulldog woman was in front of him and, grotesque and woeful, while warm tears fell from her eyes, she told him that she had lost her teeth in her flight. As she spoke she drew clay pipes from the pocket of her nurse's apron, breaking them and shoving pieces of the stems into the hollows of her gums. "But she is really absurd," Des Esseintes told himself. "These stems will never stick."

Des Esseintes' library did not contain many works of the centuries immediately succeeding. Notwithstanding this deficiency, the sixth century was represented by Fortunatus, bishop of Poitiers, whose hymns and Vexila regis, carved out of the old carrion of the Latin language and spiced with the aromatics of the Church, haunted him on certain days; by Boethius, Gregory of Tours, and Jornandez.

The men, gathered around whist tables, proved even more shallow and insignificant than the dowagers; these descendants of ancient, courageous knights, these last branches of feudal races, appeared to Des Esseintes as catarrhal, crazy, old men repeating inanities and time-worn phrases. A fleur de lis seemed the sole imprint on the soft pap of their brains.

And, without giving him time to catch breath, he informed Des Esseintes that he had done his utmost in re-establishing the digestive functions and that now it was necessary to attack the neurosis which was by no means cured and which would necessitate years of diet and care.

In the days when he had deemed it necessary to affect singularity, Des Esseintes had designed marvelously strange furnishings, dividing his salon into a series of alcoves hung with varied tapestries to relate by a subtle analogy, by a vague harmony of joyous or sombre, delicate or barbaric colors to the character of the Latin or French books he loved.

The man bowed and deposited the buckler on the pinewood floor of the dining room. It oscillated and wavered, revealing the serpentine head of a tortoise which, suddenly terrified, retreated into its shell. This tortoise was a fancy which had seized Des Esseintes some time before his departure from Paris.

Like Balzac who was wont to scribble on many sheets of paper so as to put himself in a mood for work, Des Esseintes felt the necessity of steadying his hand by several initial and unimportant experiments. Desiring to create heliotrope, he took down bottles of vanilla and almond, then changed his idea and decided to experiment with sweet peas.