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The man at Erard's told me that I should have it for £2 10s. a month, frankly owning that he hoped to get my custom. "But Mr. Moss is to pay nothing?" I asked. He swore that Mr. Moss would have to pay nothing, and leave what occurred between him and me. I don't think he will. £30 a year ought to be enough for the hire of a piano.

It was so good of you to think of it! But it must go back." "No, no, no!" shouted Mr. Moss. "The piano is my affair. A piano more or less for a few months is nothing between me and Erard's people. They are only too happy." "I do not in the least doubt it. Messrs. Erard's people are always glad to secure a lady who is about to come out as a singer. But they send the bill in at last."

The good qualities of Erard's action, completed in 1821, the germ of which will be found in the later Cristofori, are not, however, due to repetition capability, but to other causes, chiefly, I will say, to counterpoise.

I find one of Erard's grand pianos standing in the boudoir, and am told that it was a favourite instrument of the late Queen. There are some fine specimens of vases: one an "Adam and Eve," some of Swiss make, and others of Dresden. Also I note an exquisite model of a ship, an inlaid Empire mirror, and other treasures too numerous to particularize.

Luttrell yesterday to La Muette to see M. Erard's fine collection of pictures, with which they were very much pleased. Our drive to the Bois de Boulogne was a very agreeable one, and was rendered so by their pleasant conversation. I have presented Mr. Rogers with some acquisitions for his cabinet of antique bijouterie, with which he appears delighted.

Not so with "a most beautiful little machine" for making card wire-cloth, copied from America. Recognition of the supreme merits of the pianos of Chickering, Steinway and the rest was still wanting, Erard's Parisian instruments bearing the bell. Borden's meat-biscuit to revert to the practical caused quite a sensation, the Admiralty being overloaded with spoiled and condemned preserved meat.

I went on without appearing to hear her words: "'My piano is one of Erard's best instruments; and you must take it. Pray accept it without hesitation; I really could not take it with me on the journey I am about to make. "Perhaps the melancholy tones in which I spoke enlightened the two women, for they seemed to understand, and eyed me with curiosity and alarm.

Moss, ma'am?" the waiter asked. "Yes, Mr. Moss," she answered in a loud voice, which told the man much of her story. "Where did that piano come from?" she asked brusquely. "Mr. Moss had it sent in," said the man. "And my father is paying separate rent for it?" she asked. "What's that, my dear? What's that about rent?" "We have got this piano to pay for. It's one of Erard's. Mr.

His grandfather placed his finger on Erard's lips, and kept it there, as if to enjoin upon the child the greatest secrecy; and Erard, with a sigh, turned his eyes again upon his father. "But it was he, it was Theobald, who commenced the combat.

By taxing my memory I went half mad. Now, stupid fool that I am, it occurs to me that I need only have gone to "Erard's." In this manner I deprived myself of the pleasure of seeing them once more, which grieves me very much. Please let me have the address for my return journey. A thousand thanks to dear M. for her beautiful and kind lines. You all appear to me like a family of saints.