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A series of four illustrated volumes is now in process of publication, which will present, in photographs and engravings, large or small, every picture of importance in the gallery. The text of these volumes, by Drs. Meyer and Bode, will be extremely valuable, and the whole will doubtless stand foremost among publications designed as exponents of European galleries.

Two Pencil-sketches, which no artist could approve of, hasty sketches done in some social hour, one by his friend Spedding, one by Banim the Novelist, whom he slightly knew and had been kind to, tell a much truer story so far as they go: of these his Brother has engravings; but these also I must suppress as inadequate for strangers.

Among the books first purchased figure a Spanish translation of the "Lives of the Presidents of the United States," from Washington to Johnson, morocco bound, gilt-edged, and illustrated with steel engravings certainly an expensive book; a "History of the English Revolution;" a comparison of the Romans and the Teutons, and several other books which indicated interest in the freer system of the Anglo-Saxons.

They were a beautiful edition of Calmet's Dictionary, in several large volumes, with very superior engravings. "It seems to me that this work must be very expensive," I remarked to my friend, as we were turning the leaves. "Indeed it is so," he replied; "but here is one place where I am less withheld by considerations of expense than in any other.

Even that effort failed at last; and she sat gazing at one of Sir Thomas Lawrence's bright-faced children, and feeling as if in herself the tides of life were setting back upon their fountain preparatory to being still for ever. She became sensible that some one was standing beside the engravings, and looked up at Mr. Carleton. "Are. you ill?" he said, very gently and tenderly.

After having passed through a narrow corridor, and climbed a small, winding staircase, Vaudrey rang at the third floor of a little house in Rue Boursault and entered a well-kept apartment full of sunlight. Hanging on the walls were engravings and crayons in old-fashioned frames.

The old French copper-plate engravings and the best English mezzo-tints are so valuable because good impressions are necessarily so rare. One more piece of advice. It is a constant source of regret, an eyesore. Here have I Lovelace's "Lucasta," 1649, without the engraving. It is deplorable, but I never had a chance of another "Lucasta." This is not a case of invenies aliam.

However, he became interested in an old painting which hung in the bed-room, on the wall facing the bed, amidst some childish and valueless engravings. But partially discernible in the waning light, this painting represented a woman seated on some projecting stone-work, on the threshold of a great stern building, whence she seemed to have been driven forth.

Ferris & Darley's went on slowly, and it became painfully obvious that the walls of but an imperceptible minority of American homes would have the patriotic faith and fervor of their occupants attested a century hence by these capacious engravings, as that of a hundred years ago is by rusty muskets and Cincinnati diplomas. Still, the stock did not altogether go a-begging.

Some of our readers, doubtless, have seen and been edified by these ancient engravings; and, for the benefit of those who have not, we will describe them.