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On the music racks of violinists who had meant to be Elmans or Kreislers were sheets entitled Jazz Baby Fox Trot. Drums, horns, cymbals, castanets, sandpaper. So the mannequins and marionettes of Europe tried to whirl themselves into forgetfulness. The Americans thought Giddy was a Frenchman. The French knew him for an American, dress as he would. Dancing became with him a profession no, a trade.
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