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Above all, his plays still keep, and probably always will keep, the stage. It is common to speak of Shakespeare and the other Elizabethan dramatists as if they stood, in some sense, on a level. But in truth there is an almost measureless distance between him and all his contemporaries. The rest shared with him in the mighty influences of the age.

A gray silk gown, simply made, showed to advantage her slender, graceful form, which seemed far too fragile to endure the hardships inseparable from the wandering life she was leading. A high Elizabethan ruff made a most becoming frame for her sweet, delicately tinted, young face, and her only ornament was a string of pearl beads, clasped round her slender, white neck.

If he wishes to produce a drama of the Elizabethan type a drama of comprehension which shall include as much as possible of the varied manifestations of human life, then obviously the observance of the unities must exercise a restricting and narrowing influence which would be quite out of place. On the other hand, in a drama of crisis they are not only useful but almost inevitable.

This year is the happiest because I am studying subjects that especially interest me, economics, Elizabethan literature, Shakespeare under Professor George L. Kittredge, and the History of Philosophy under Professor Josiah Royce.

There were born lyrists, like Greene in the Elizabethan period, who wrote plays because the public demanded drama, and there have been natural dramatists who were compelled, in a period when the theatre fell into disrepute, to give their material a narrative form. But we must also take into account the dominant mood or quality of certain poetic minds.

It was a beautiful summer's afternoon, and the girls were seated in a circle on the lawn in front of the house. The house was an old Elizabethan mansion, which had been added to from time to time fresh additions jutting out here and running up there.

Raleigh, recalling with bitterness of soul those glorious Elizabethan days when no adventurer ever dreamt of pressing, scoffed at the seamen of King James's time as degenerates who went on board a man-of-war "with as great a grudging as if it were to be slaves in the galleys." A hundred years did not improve matters.

It seemed to me a desecration that Hilda should live in such an unfinished land Hilda, whom I imagined as moving by nature through broad English parks, with Elizabethan cottages and immemorial oaks Hilda, whose proper atmosphere seemed to be one of coffee-coloured laces, ivy-clad abbeys, lichen-incrusted walls all that is beautiful and gracious in time-honoured civilisations.

To the uninitiated spectator it would appear when gazing casually at young Rupert Plinge that the psychologically educational environment surrounding him was deeply impregnated with the spirit of political reformation which, though neither Elizabethan in tone nor strictly Cromwellian in atmosphere, was strongly suggestive to the lay mind of the Second Empire.

For the most part the houses that lined it were blocks of contiguous cottages, which had been converted either singly or by twos and threes into dwellings containing the comforts demanded by the twentieth century, but externally they preserved the antiquity which, though it might be restored or supplemented by bathrooms or other conveniences, presented a truly Elizabethan appearance.