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In the early years of the past century a dye-tub was as much a necessity in every house as a spinning wheel, and the re-establishment of it in houses where weaving is practised is almost a necessity; in fact, it would be of far greater use at present than in the days when it was only used to dye the wool needed for the family knitting and weaving.
After these three tints are secure, three variations of blue can be made by knotting the skeins more or less closely and throwing medium, light blue and white together into the dye-tub. Here they must remain until the white skeins show an outside of light blue; the light blue skeins are apparently changed to medium, and the medium to dark.
Aniline blue in cotton is never sun-fast and rarely will stand washing, but a good indigo blue will neither run or fade, and is therefore precisely what is needed for domestic manufacture. Fortunately, the dye-tub has been, in the past at least, a close companion of the loom, and most old-fashioned farmers' wives know how to use it.
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