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Suddenly Andante sings a new, expressive song, with a dulcet cheer of its own, rising to passionate periods and a final height whence, Andante con duolo, a loudest chorus of high wood and strings, heralded and accompanied by martial tremolo of low wood, horns, basses, and drums, sound the fateful chant that concludes the first scene, and, toward the close of the work, sums the main idea.
'Ti salute, Rosignuolo, Nel tuo duolo, il saluto! Sei l'amante delta rosa Che morendo si fa sposa!" Her rich voice rippled out on the air, rivaling the songs of the nightingales themselves. She broke off with a little laugh "Poor Fabio! there was always a false note somewhere when he sung. Come, Guido!"
Moved with quick pity I called again: "Nina!" She laughed again the same terrible laugh. "Si, si! Son' bella, son' bellissima!" she murmured. "E tu, Guido mio? Tu m'ami?" Then raising one hand as though commanding attention she cried: "Ascolta!" and began to sing clearly though feebly: "Ti saluto, Rosignuolo! Nel tuo duolo ti saluto! Sei l'amante della rosa Che morendo si fa sposa!"
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