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Gerard and Margaret, the hero and heroine of the story, are the father and mother of the great Erasmus; respecting whom Charles Reade closes his book with a noble and pregnant piece of writing. "First scholar and divine of his epoch, he was also the heaven-born dramatist of his century.

Thucydides has omitted the names of those who impeached him, but others give their names as Diokleides and Teukrus, among whom is Phrynichus the comic dramatist, who writes as follows: "And, dearest Hermes, do not fall And break your head; and, worst of all, To some new Diokleides show the way, By slander base to swear men's lives away." And again Hermes says: "I will not fall.

Despite our unlimited admiration for Claretie the journalist, Claretie the historian, Claretie the dramatist, and Claretie the art-critic, we think his novels conserve a precious and inexhaustible mine for the Faguets and Lansons of the twentieth century, who, while frequently utilizing him for the exemplification of the art of fiction, will salute him as "Le Roi de la Romance."

It has, of course, been altogether superseded, alike by the discovery of ancient records, and by geology. Dramatist and architect, b. in London of Flemish descent, was in France from 1683 to 1685, studying architecture, for which he had early shown a taste. The next year he got a commission in the army, and in 1690 he was a prisoner first at Vincennes and then in the Bastille.

I encore the whole opera, and in the mean while let us applaud it as it deserves." The emperor gave the signal, and, midst a thunderstorm of plaudits, the musicians passed into their midnight feast. There is no record of any other such compliment, except that to the Latin dramatist, Plautus, whose "Eunuchus" was performed twice on the same day.

The dramatist who hangs his characters to his plot, instead of hanging his plot to his characters, is guilty of cardinal sin. The dialogue! Good dialogue again is character, marshalled so as continually to stimulate interest or excitement.

Now, the playwright who supplies to the public the facts of life distorted by the moral which it expects, does so that he may do the public what he considers an immediate good, by fortifying its prejudices; and the dramatist who supplies to the public facts distorted by his own advanced morality, does so because he considers that he will at once benefit the public by substituting for its worn-out ethics, his own.

And at nine you might have found the handsome dramatist alone upon the East Terrace of Ouseley, pacing to and fro in the moonlight, and complacently reflecting upon his quite indisputable and, past doubt, unmerited good fortune. There was never any night in June which nature planned the more adroitly.

But when the dramatist has completed his play, he does not deliver it directly to the public; he delivers it only indirectly, through the medial interpretation of many other artists, the actor, the stage-director, the scene-painter, and still others of whom the public seldom hears.

The groundwork was thus laid in a thorough knowledge of the medium, to use the expression of Taine, applying it, however, not to mere external facts and circumstances, but to that individuality of form, ideas and style which the great dramatist has given to each of his works.