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She sang at Florence with Duprez, and Donizetti, who was then in the city, composed his "Rosmonda d'Inghilterra" for these artists. For two years there was nothing of specially important note in Mme. Persiani's life except a swift and steady progress.
Mario sung after this each season in London and Paris for several years, without its falling to his lot to create any new important stage characters. When Donizetti produced "Don Pasquale" at the Theatre Italiens in 1843, Mario had the slight part of the lover. The reception at rehearsal was ominous, and, in spite of the beauty of the music, everybody prophesied a failure.
Rossini and Donizetti are the Musical Gods here; now and then you meet a person who really loves what is better, but in mixed societies and at all concerts, particularly in fashionable circles, where music is a fashion now, the merest exercises for the voice and the fingers elicit the most rapturous bravoes and tapping of white gloves.
The opera was so ludicrous and unblushing an imitation of Donizetti and Bellini, that the artists could scarcely sing for laughter. Herr Vogl, the eminent tenor, and one or two others were still in favour of giving it as a curiosity, but in the end it was thought better to drop it altogether, less on account of the music than because of the licentious character of the libretto.
A bright English critic, whose style is as charming as his judgments are good, says, in his study of the Donizetti music: "I find myself thinking of his music as I do of Domenichino's pictures of 'St.
The music of this work perhaps is the best ever written by Donizetti, though it lacks the freshness and sentiment of his "Elisir d'Amore," which is steeped in rustic poetry and tenderness like a rose wet with dew.
He believes that men who are inspired by Beethoven's music make more active and energetic citizens than those who are charmed by Rossini, Bellini, and Donizetti; and he refers to the fact that in Paris, at a certain period, music became more and more frivolous as the people degenerated morally.
Gluck today, Donizetti tomorrow, Weber today, Rossini or Auber tomorrow, serious today, frivolous tomorrow what is the result? That the people can do neither Gluck nor Donizetti, neither the serious nor the frivolous. How terrible also are the translations!
Haydn, Beethoven, Chopin, Saint-Saens, Sullivan, Charles Salaman, Edward Solomon, Frederic Cowen, run "n"-wards with the unanimity of publishers, while Gounod, Stanford, Audran, Sebastian Bach, Donizetti, work in the "n" otherwise, and Wagner has the librettist's "r" in addition. Would you play the piano?
Sitting in the shade does not give the experience which develops talent. We should never have known the great days of the Italian theatre, if Rossini, Donizetti, Bellini, and Verdi had had to undergo our régime. If Mozart had had to wait until he was forty to produce his first opera, we should never have had Don Giovanni or Le Nozze di Figaro, for Mozart died at thirty-five.
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