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Count d'Angivillier kept the Gobelins factory from all originality, sanctioned only the small wares for original work, and forced a slavish copying of paintings for the larger pieces.
If d'Angivillier was responsible for displacing a transcendent art with a false one, if he routed a dainty mythology and its accessories with the heavy effort and paraphernalia of the Romans, on whom shall we place the entirely supportable responsibility of diminishing tapestries from noble draperies down to mere furniture coverings?