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He also wrote various plays, and adaptations, and did not scruple to undertake "improved" versions of some of Shakespeare's greatest plays including Cymbeline, The Taming of the Shrew, and The Winter s Tale, performing the same service for Jonson and Wycherley, in the last case with much more excuse. Of his original plays The Lying Valet and Miss in her Teens are perhaps the best.

His father died fighting in the wars for Cymbeline, and soon after his birth his mother died also for grief at the loss of her husband. Imogen and Posthumus were both taught by the same masters, and were playfellows from their infancy; they loved each other tenderly when they were children, and their affection continuing to increase with their years, when they grew up they privately married.

And now a great battle commenced between the two armies, and the Britons would have been defeated, and Cymbeline himself killed, but for the extraordinary valor of Posthumus and Bellarius and the two sons of Cymbeline. They rescued the king and saved his life, and so entirely turned the fortune of the day that the Britons gained the victory.

"O thou goddess, Thou divine Nature, how thyself thou blazon'st In these two princely boys; they are as gentle As zephyrs blowing beneath the violet, Not wagging his sweet head; and yet as fierce, Their royal blood enchafed, as the rud'st wind That by the top doth take the mountain pine, And makes him bow to the vale." Cymbeline, Act 4, scene 2.

Save him, if you spare no one beside." Cymbeline looked earnestly on his daughter Imogen. He knew her not in that disguise; but it seemed that all-powerful Nature spake in his heart, for he said: "I have surely seen him; his face appears familiar to me. I know not why or wherefore I say, live, boy, but I give you your life; and ask of me what boon you will and I will grant it you.

The play of plays, which is Cymbeline, remains alone to receive the last salute of all my love. I think, as far as I can tell, I may say I have always loved this one beyond all other children of Shakespeare.

Holinshed's Chronicles of England, Scotland, and Ireland, published when Shakespeare was fourteen years old, gives the stories of Lear, Cymbeline, Macbeth, and of all the English kings who are the heroes of the historical plays. As Holinshed is very dry reading, if Shakespeare had followed him closely, for instance, in King Lear, the play would have lost its most impressive parts.

There can be no doubt that the peculiar characteristics which distinguish Cymbeline and The Winter's Tale from the dramas of Shakespeare's prime, are present here in a still greater degree. In The Tempest, unreality has reached its apotheosis.

I " there breaking off in a tremble, as if the pen had fallen from a nerveless hand. It did not take me long to find my way to her home. "Constant you are ... And for secrecy No lady closer." Henry IV. "No, 't is slander, Whose edge is sharper than the sword whose tongue Outvenoms all the worms of Nile." Cymbeline. THE door was opened by Molly.

Imogen, the eldest of these children, was brought up in her father's court; but by a strange chance the two sons of Cymbeline were stolen out of their nursery when the eldest was but three years of age and the youngest quite an infant; and Cymbeline could never discover what was become of them or by whom they were conveyed away. Cymbeline was twice married.