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The columns employed throughout are antique ones from other buildings, but the whole effect of the structure, which abounds with curiously cusped arches and coloured decoration, is described as most picturesque and fantastic. Persia and India. Turning eastwards, we find in Turkey, as has been said, a close adherence to the forms of Byzantine architecture.

Besides the transom dividing clerestory from triforium to be found in the nave, there is a second transom in the choir crossing the openings of the triforium. This gives a greater fulness and complexity to the design. In the eastern bays, below the openings of the triforium, the bases of the mullions are elongated to about two feet in length, and between them are cusped arches.

The pointed and cusped cornice of interlacing arches, surmounted by a cable moulding, which continues to the end of the transept wall, seems to show that the building had advanced as far as this point when Giorgio appeared upon the scene in 1441. The arms of the Venetian rectors also afford indications of the progress and intermissions of the work.

Each arch is delicately moulded and elaborately cusped, but, though in some cases for the shape varies in almost every window each individual cusp may have the look of a Gothic trefoil, the arrangement is not Gothic at all. There are far more than are ever found in a Gothic window, sometimes as many as eleven, and they usually begin at the bottom with a whole instead of a half cusp.

The main entrance, though small, is extraordinarily beautiful. It consists of a single arch, divided into two smaller cusped arches by a central pillar with a circular opening above it, glazed and filled with six divisions of cusped tracery. Above the main arch is a gable, in which are five niches, the central one containing the figure of an archbishop.

Each of these arches is cusped and foliated differently according to the nature of the figure subject it contains.

The capitals, however, are different, having an eight-sided bell on which rests a square block with a bud carved at each angle, and above an abacus, moulded all round. The arches are cusped like the windows, but are stilted and segmental.

The clerestory windows, also of three lights with somewhat similar tracery, are separated by narrow buttresses bearing square pinnacles, between which runs on a pointed corbel table the usual pierced parapet, and by strong flying buttresses, which at least in the western bays are doubly cusped, and are, between the arch and the straight part, pierced with a large foliated circle and other tracery.

The galleries over the aisles are lit by small pointed windows of two lights with a cusped circle between, but except in the lantern which has similar windows, in the transept ends and the west front, these are the only original openings which survive. The southern is more interesting. The whole, well moulded, is enclosed in a curious square framing.

The tracery is divided into four compartments by mullions, and each head is filled with cusped work. Round the cloister are placed the old houses of the Treasurer, the Royal Chaplains, and Wiccamical Prebendaries. Above the door leading to the house of the Royal Chaplains is an interesting monument of the Tudor period. It is a panel divided into two compartments by a moulded stone framework.