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Francis of Assisi dreamed his whole life long of the resurrection of love among men, and in the valleys of Umbria went about like a second Jesus doing good, with an immense love in his heart singing his Laudes Creaturarum by the wayside; Dante Alighieri, the greatest poet of his country, might almost seem to have been overwhelmed with hatred, a hatred which is perhaps but the terrible reverse of an intolerable love, but which is an impeachment, nevertheless, not only of his own time, of the cities of his country, but of himself too, for while he thus sums up the Middle Age and judges it, he is himself its most marvellous child, losing himself at last in one of its ideals.
Between 1477 and 1499 he printed Virgil's Eclogues, Cicero's De Senectute and De Amicitia, Horace's Ars Poetica, the Axiochus in Agricola's translation, Cyprian's Epistles, Prudentius' poems, Juvencus' Historia Euangelica, and the Legenda Aurea: also the grammar of Alexander with the commentary of Synthius and Hegius, Agostino Dato's Ars scribendi epistolas, Aesop's Fables, and the Dialogus Creaturarum, the latter two being moralized in a way which must surely have pleased Butzbach.
* Respondeo dicendum, quod corpora gloriosa aliquando moveri necesse est ponere.... Verisimile est quod aliquando movebuntur pro suæ libitu voluntatis, ut illud quod habent virtute actu exercentes, divinam sapientiam commendabilem ostendant; et ut etiam visus eorum reficiatar pulchritudine creaturarum dtversarum, in quibus Dei sapientia eminenter relucebit.
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